Departure

By Edna St. Vincent Millay 1892–1950
It's little I care what path I take,
And where it leads it's little I care;
But out of this house, lest my heart break,
I must go, and off somewhere.

It's little I know what's in my heart,
What's in my mind it's little I know,
But there's that in me must up and start,
And it's little I care where my feet go.

I wish I could walk for a day and a night,
And find me at dawn in a desolate place
With never the rut of a road in sight,
Nor the roof of a house, nor the eyes of a face.

I wish I could walk till my blood should spout,
And drop me, never to stir again,
On a shore that is wide, for the tide is out,
And the weedy rocks are bare to the rain.

But dump or dock, where the path I take
Brings up, it's little enough I care;
And it's little I'd mind the fuss they'll make,
Huddled dead in a ditch somewhere.

"Is something the matter, dear," she said,
"That you sit at your work so silently?"
"No, mother, no, 'twas a knot in my thread.
There goes the kettle, I'll make the tea."

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Poet Edna St. Vincent Millay 1892–1950

POET’S REGION U.S., New England

Subjects Living, Disappointment & Failure

Poetic Terms Rhymed Stanza

 Edna St. Vincent Millay

Biography

Throughout much of her career, Pulitzer Prize-winner Edna St. Vincent Millay was one of the most successful and respected poets in America. She is noted for both her dramatic works, including Aria da capo, The Lamp and the Bell, and the libretto composed for an opera, The King’s Henchman, and for such lyric verses as “Renascence” and the poems found in the collections A Few Figs From Thistles, Second April, and The Ballad of the . . .

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Poem Categorization

SUBJECT Living, Disappointment & Failure

POET’S REGION U.S., New England

Poetic Terms Rhymed Stanza

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Originally appeared in Poetry magazine.

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