(Life and Contacts)
“Vocat aestus in umbram”
Nemesianus Ec. IV.
E. P. ODE POUR L’ÉLECTION DE SON SÉPULCHRE
He strove to resuscitate the dead art
Of poetry; to maintain “the sublime”
In the old sense. Wrong from the start—
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
“Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe’s hair
Rather than the mottoes on sun-dials.
Unaffected by “the march of events,”
He passed from men’s memory in l’an trentiesme
De son eage; the case presents
No adjunct to the Muses’ diadem.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Than the classics in paraphrase!
The “age demanded” chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the “sculpture” of rhyme.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
Made way for macerations;
All things are a flowing,
Shall reign throughout our days.
Even the Christian beauty
Decreed in the market place.
Faun’s flesh is not to us,
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
We choose a knave or an eunuch
tin andra, tin eroa, tina theon,
Shall I place a tin wreath upon?
These fought, in any case,
and some believing, pro domo, in any case ...
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor” ...
believing in old men’s lies, then unbelieving
came home, home to a lie,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
And of the best, among them,
For an old bitch gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth’s lid,
For two gross of broken statues,
For a few thousand battered books.
Gladstone was still respected,
When John Ruskin produced
“Kings Treasuries”; Swinburne
And Rossetti still abused.
Foetid Buchanan lifted up his voice
When that faun’s head of hers
Still, at the Tate, they teach
The English Rubaiyat was still-born
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin’d face,
Questing and passive ....
“Ah, poor Jenny’s case” ...
“SIENA MI FE’, DISFECEMI MAREMMA’”
Among the pickled foetuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers’ Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...
But showed no trace of alcohol
At the autopsy, privately performed—
Tissue preserved—the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of “The Dorian Mood,”
M. Verog, out of step with the decade,
Detached from his contemporaries,
Because of these reveries.
The sky-like limpid eyes,
The circular infant’s face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Of Brennbaum “The Impeccable.”
In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. “Consider
“I was as poor as you are;
“When I began I got, of course,
“Advance on royalties, fifty at first,” said Mr. Nixon,
“Follow me, and take a column,
“Even if you have to work free.
“Butter reviewers. From fifty to three hundred
“I rose in eighteen months;
“The hardest nut I had to crack
“I never mentioned a man but with the view
“Of selling my own works.
“The tip’s a good one, as for literature
“It gives no man a sinecure.”
And no one knows, at sight a masterpiece.
And give up verse, my boy,
Likewise a friend of Bloughram’s once advised me:
Don’t kick against the pricks,
Accept opinion. The “Nineties” tried your game
And died, there’s nothing in it.
The stylist has taken shelter,
At last from the world’s welter
With a placid and uneducated mistress
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
“Conservatrix of Milésien”
Habits of mind and feeling,
With the most bank-clerkly of Englishmen?
No, “Milésian” is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
“Daphne with her thighs in bark
Stretches toward me her leafy hands,”—
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine’s commands,
Knowing my coat has never been
Doubtful, somewhat, of the value
Of well-gowned approbation
But never of The Lady Valentine’s vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
Where the lower and higher have ending;
A hook to catch the Lady Jane’s attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
Conduct, on the other hand, the soul
“Which the highest cultures have nourished”
The sale of half-hose has
Long since superseded the cultivation
Go, dumb-born book,
Tell her that sang me once that song of Lawes:
As thou hast subjects known,
Then were there cause in thee that should condone
Even my faults that heavy upon me lie
And build her glories their longevity.
Such treasure in the air,
Recking naught else but that her graces give
As roses might, in magic amber laid,
Red overwrought with orange and all made
One substance and one colour
But sings not out the song, nor knows
The maker of it, some other mouth,
Might, in new ages, gain her worshippers,
When our two dusts with Waller's shall be laid,
Siftings on siftings in oblivion,
Till change hath broken down
All things save Beauty alone.