Lambert Hutchins

By Edgar Lee Masters 1868–1950
I have two monuments besides this granite obelisk:
One, the house I built on the hill,
With its spires, bay windows, and roof of slate;
The other, the lake-front in Chicago,
Where the railroad keeps a switching yard,
With whistling engines and crunching wheels,
And smoke and soot thrown over the city,
And the crash of cars along the boulevard, i
A blot like a hog-pen on the harbor
Of a great metropolis, foul as a sty.
I helped to give this heritage
To generations yet unborn, with my vote
In the House of Representatives,
And the lure of the thing was to be at rest
From the never-ending fright of need,
And to give my daughters gentle breeding,
And a sense of security in life.
But, you see, though I had the mansion house
And traveling passes and local distinction,
I could hear the whispers, whispers, whispers,
Wherever I went, and my daughters grew up
With a look as if some one were about to strike them;
And they married madly, helter-skelter,
Just to get out and have a change.
And what was the whole of the business worth?
Why, it wasn't worth a damn!

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Poet Edgar Lee Masters 1868–1950

POET’S REGION U.S., Midwestern

SCHOOL / PERIOD Modern

Subjects Living, Disappointment & Failure, Social Commentaries, Money & Economics

Poetic Terms Dramatic Monologue, Persona

 Edgar Lee Masters

Biography

Edgar Lee Masters is best remembered for his great collection Spoon River Anthology, a sequence of over two hundred free-verse epitaphs spoken from the cemetery of the town of Spoon River. When the collection first saw publication in 1915, it caused a great sensation because of its forthrightness about sex, moral decay, and hypocrisy; but its cynical view of Midwestern small town values influenced a whole generation of writers . . .

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Poem Categorization

SUBJECT Living, Disappointment & Failure, Social Commentaries, Money & Economics

POET’S REGION U.S., Midwestern

SCHOOL / PERIOD Modern

Poetic Terms Dramatic Monologue, Persona

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Originally appeared in Poetry magazine.

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