Too high, too high to pluck
My heart shall swing.
A fruit no bee shall suck,
No wasp shall sting.
If on some night of cold
It falls to ground
In apple-leaves of gold
I’ll wrap it round.
And I shall seal it up
With spice and salt,
In a carven silver cup,
In a deep vault.
Before my eyes are blind
And my lips mute,
I must eat core and rind
Of that same fruit.
Before my heart is dust
At the end of all,
Eat it I must, I must
Were it bitter gall.
But I shall keep it sweet
By some strange art;
Wild honey I shall eat
When I eat my heart.
O honey cool and chaste
As clover’s breath!
Sweet Heaven I shall taste
Before my death.
Source:
Nets to Catch the Wind (1921)
Extravagantly praised in her lifetime, the poet and novelist Elinor Wylie suffered a posthumous reversal in her reputation but has experienced something of a revival of interest among feminist critics since the 1980s.
Wylie was born in Somerville, New Jersey to a socially prominent family, and grew up in Rosemont, Pennsylvania, and Washington D.C. As the daughter of a lawyer who later became solicitor general of the United . . .
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