Catullus is my master and I mix
a little acid and a bit of honey
in his bowl love
is my subject & the lack of love
which lack is what makes evil a
poet must strike
Catullus could rub words so hard
together their friction burned a
heat that warms
us now 2000 years away I roll the
words around my mouth & count the
letters in each
line thus eye and ear contend in-
side the poem and draw its move-
ment tight Milton
thought rhyme was vulgar I agree
yet sometimes if it’s hidden in
the line a rhyme
will richen tone the thing I most
despise is quote poetic unquote
diction I prefer
to build with plain brown bricks
of common talk American talk then
set 1 Roman stone
among them for a key I know Ca-
tullus knew a poem is like a blow
an impact strik-
ing where you least expect this I
believe and yet with me a poem
is finally just
a natural thing.
James Laughlin, “Technical Notes” from Poems New and Selected. Copyright © 1996 by James Laughlin. Reprinted with the permission of New Directions Publishing Corporation.
Source:
Poems New and Selected (1998)
While a sophomore on leave of absence from Harvard University, James Laughlin met Ezra Pound in Rapallo, Italy, and was invited to attend the "Ezuversity"—Pound's term for the private tutoring he gave Laughlin over meals, on hikes, or whenever the master paused in his labors. "I stayed several months in Rapallo at the 'Ezuversity,' learning and reading," recalls Laughlin in an interview with Linda Kuehl for the New York Times . . .
Continue reading this biography