Gairmscoile

By Hugh MacDiarmid 1892–1978 Hugh MacDiarmid
Aulder than mammoth or than mastodon   
Deep i’ the herts o’ a’ men lurk scaut-heid   
Skrymmorie monsters few daur look upon.
Brides sometimes catch their wild een, scansin’ reid,   
Beekin’ abune the herts they thocht to lo’e   
And horror-stricken ken that i’ themselves   
A like beast stan’s, and lookin’ love thro’ and thro’   
Meets the reid een wi’ een like seevun hells.   
... Nearer the twa beasts draw, and, couplin’, brak
The bubbles o’ twa sauls and the haill warld gangs black.

Yet wha has heard the beasts’ wild matin’-call   
To ither music syne can gi’e nae ear.
The nameless lo’enotes haud him in a thrall.   
Forgot are guid and ill, and joy and fear.
... My bluid sail thraw a dark hood owre my een   
And I sail venture deep into the hills
Whaur, scaddows on the skyline, can be seen
—Twinin’ the sun’s brent broo wi’ plaited horns
As gin they crooned it wi’ a croon o’ thorns—
The beasts in wha’s wild cries a’ Scotland’s destiny thrills.

The lo’es o’ single herts are strays; but there   
The herds that draw the generations are,   
And whasae hears them roarin’, evermair   
Is yin wi’ a’ that gangs to mak’ or mar   
The spirit o’ the race, and leads it still
Whither it can be led, ’yont a’ desire and will.

I

Wergeland, I mind o’ thee—for thy bluid tae
Kent the rouch dirl o’ an auld Scots strain,
—A dour dark burn that has its ain wild say
Thro’ a’ the thrang bricht babble o’ Earth’s flood.   
Behold, thwart my ramballiach life again,
What thrawn and roothewn dreams, royat and rude,   
Reek forth—a foray dowless herts condemn—
While chance wi’ rungs o’ sang or silence renshels them.

(A foray frae the past—and future tae
Sin Time’s a blindness we’ll thraw aff some day!)   
... On the rumgunshoch sides o’ hills forgotten   
Life hears beasts rowtin’ that it deemed extinct,   
And, sudden, on the hapless cities linked   
In canny civilisation’s canty dance
Poor herds o’ heich-skeich monsters, misbegotten,   
... Streets clear afore the scarmoch advance:   
Frae every winnock skimmerin’ een keek oot   
To see what sic camsteerie cast-offs are aboot.

Cast-offs?—But wha mak’s life a means to ony end?
This sterves and that stuff’s fu’, scraps this and succours that?
The best survive there’s nane but fules contend.   
Na! Ilka daith is but a santit need.
... Lo! what bricht flames o’ beauty are lit at
The unco’ een o’ lives that Life thocht deid
Till winnock efter winnock kindles wi’ a sense   
O’ gain and glee—as gin a mair intense
Starn nor the sun had risen in wha’s licht
Mankind and beasts anew, wi’ gusto, see their plicht.

Mony’s the auld hauf-human cry I ken
Fa’s like a revelation on the herts o’ men
As tho’ the graves were split and the first man   
Grippit the latest wi’ a freendly han’
... And there’s forgotten shibboleths o’ the Scots   
Ha’e keys to senses lockit to us yet
—Coorse words that shamble thro’ oor minds like stots,   
Syne turn on’s muckle een wi’ doonsin’ emerauds lit.

I hear nae ‘hee-haw’ but I mind the day
A’e donkey strunted doon a palm-strewn way   
As Chesterton has sung; nae wee click-clack   
O’ hoofs but to my hert at aince comes back   
Jammes’ Prayer to Gang to Heaven wi’ the Asses;   
And shambles-ward nae cattle-beast e’er passes   
But I mind hoo the saft een o’ the kine   
Lichted Christ’s craidle wi’ their canny shine.

Hee-Haw! Click-Clack! And Cock-a-doodle-doo!   
—Wull Gabriel in Esperanto cry
Or a’ the warld’s undeemis jargons try?
It’s soon’, no’ sense, that faddoms the herts o’ men,   
And by my sangs the rouch auld Scots I ken   
E’en herts that ha’e nae Scots’ll dirl richt thro’   
As nocht else could—for here’s a language rings
Wi’ datchie sesames, and names for nameless things.


II

Wergeland, my warld as thine ’ca’ canny’ cries,   
And daurna lippen to auld Scotland’s virr.   
Ah, weel ye kent—as Carlyle quo’ likewise—
Maist folk are thowless fules wha downa stir,
Crouse sumphs that hate nane ’bies wha’d wauken them.
To them my Pegasus tae’s a crocodile.   
Whummelt I tak’ a bobquaw for the lift.
Insteed o’ sangs my mou’ drites eerned phlegm.
... Natheless like thee I stalk on mile by mile,
Howk’n up deid stumps o’ thocht, and saw’in my eident gift.

Ablachs, and scrats, and dorbels o’ a’ kinds   
Aye’d drob me wi’ their puir eel-droonin’ minds,   
Wee drochlin’ craturs drutling their bit thochts   
The dorty bodies! Feech! Nae Sassunuch drings   
’ll daunton me. —Tak’ ye sic things for poets?   
Cock-lairds and drotes depert Parnassus noo.   
A’e flash o’ wit the lot to drodlich dings.   
Rae, Martin, Sutherland—the dowless crew,
I’ll twine the dow’d sheaves o’ their toom-ear’d corn,   
Bind them wi’ pity and dally them wi’ scorn.

Lang ha’e they posed as men o’ letters here,   
Dounhaddin’ the Doric and keepin’t i’ the draiks,   
Drivellin’ and druntin’, wi’ mony a datchie sneer   
... But soon we’ll end the haill eggtaggle, fegs!
... The auld volcanoes rummle ’neath their feet,   
And a’ their shoddy lives ‘ll soon be drush,   
Danders o’ Hell! They feel th’ unwelcome heat,   
The deltit craturs, and their sauls are slush,   
For we ha’e faith in Scotland’s hidden poo’ers,
The present’s theirs, but a’ the past and future’s oors.

Hugh MacDiarmid, “Gairmscoile” from Selected Poetry. Copyright © 1992 by Alan Riach and Michael Grieve. Reprinted with the permission of New Directions Publishing Corporation.

Source: Complete Poems (New Directions Publishing Corporation, 1993)

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Poet Hugh MacDiarmid 1892–1978

POET’S REGION Scotland

SCHOOL / PERIOD Modern

Subjects Religion, History & Politics, Social Commentaries, Landscapes & Pastorals, Poetry & Poets, Nature, Arts & Sciences, Philosophy, Christianity, Mythology & Folklore

Poetic Terms Rhymed Stanza

 Hugh  MacDiarmid

Biography

C. M. Grieve, best known under his pseudonym Hugh MacDiarmid, is credited with effecting a Scottish literary revolution which restored an indigenous Scots literature and has been acknowledged as the greatest poet that his country has produced since Robert Burns. As a writer, political theorist, revolutionary, prophet, and multifaceted personality, he was a man to be reckoned with, even by those who did not agree that he was one . . .

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SUBJECT Religion, History & Politics, Social Commentaries, Landscapes & Pastorals, Poetry & Poets, Nature, Arts & Sciences, Philosophy, Christianity, Mythology & Folklore

POET’S REGION Scotland

SCHOOL / PERIOD Modern

Poetic Terms Rhymed Stanza

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