1. THE SACRIFICE
On this tile
the knife
like a sickle-moon hangs
in the painted air
as if it had learned a dance
of its own,
the way the boy has
among the vivid
breakable flowers,
the way Abraham has
among the boulders,
his two feet heavy
as stones.
2. NEAR SINAI
God's hand here
is the size of a tiny cloud,
and the wordless tablets
he holds out
curve like the temple doors.
Moses, reaching up
must see on their empty surface
laws chiseled in his mind
by the persistent wind
of the desert, by wind
in the bulrushes.
3. THE FLIGHT INTO EGYPT
We know by the halos
that circle these heads
like rings around planets
that the small donkey
has carried his burden
away from the thunder
of the Old Testament
into the lightning
of the New.
4. AT THE ARMENIAN TILE SHOP
Under the bright glazes
Esau watches Jacob,
Cain watches Abel.
With the same heavy eyes
the tilemaker's Arab assistant
watches me,
all of us wondering
why for every pair
there is just one
blessing.
Linda Pastan, “Mosaic” from PM/AM: New and Selected Poems (New York: W. W. Norton & Company, 1982). Copyright © 1982 by Linda Pastan. Reprinted with the permission of the Jean V. Naggar Agency, Inc. on behalf of the author.
Source: Carnival Night: New and Selected Poems 1968-1998 (W. W. Norton and Company Inc., 1998)
Poet Linda Pastan was raised in New York City but has lived for most of her life in Potomac, Maryland, a suburb of Washington, DC. In her senior year at Radcliffe College, Pastan won the Mademoiselle poetry prize (Sylvia Plath was the runner-up). Immediately following graduation, however, she decided to give up writing poetry in order to concentrate on raising her family. After ten years at home, her husband urged her to . . .
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