Towards the Primeval Lightning Field

By Will Alexander b. 1948 Will Alexander
The old chronological towers are ash, are prisms of disfigurement, symbolic of a world cancelled by consumptive inmelodias. As for alchemical transition, we face the raising of new sea walls, of banished and re-engendered electorates, trying to cope with new intensities of weather, as the anomalous hypnotically increases with the power of inverse subjective.
    The body is now weighed on a broken axial cart, its blood conjoined as it rises within a nuclear darkness of ravens. So as Piscean chronology now shatters, dawn becomes an unclaimed resurrection, a tumultuous eikon of skin no longer formed around its old dendritic artifacts. The calendar of draconian enfeeblement with its integers of the past 20 centuries, erased, its linear Babels darkened by the extreme necessity for a new perpendicular burst, transmuting in demeanour, with history consumed in a roll of flaming aural dice, with its wizardry of tools subsumed in arcane vibration, turned into a power of splendiferous scorpions. The psychic wounds of the past eclipsed in this new millenium by the power of smelted dragon's blood.
    And so, I speak of a new being of symbols, of lucid catacombs and spirals, its language being spun in fabulous iguana iridium. Now, with the decayed constitutional stages exploded by telepathy, by invulnerable oneiric intuitives, the mental axis transmutes, like a reddened swan, with a new cosmic skeletal reprieve, afloat amongst the forces of the primeval lightning field, taking on the dharma of the great sustained emotion of eternity.

Will Alexander, “Towards the Primeval Lightning Field” from Towards the Primeval Lightning Field (O Books, 1998). Copyright © 1998 by Will Alexander. Reprinted with the permission of the author.

Source: Towards the Primeval Lightning Field (O Books, 1998)

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Poet Will Alexander b. 1948

Subjects Arts & Sciences, Language & Linguistics

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Poet, novelist, visual artist, philosopher, essayist, and pianist—Will Alexander is not easily categorized. Though his work is frequently described as “surreal” and he has published mainly with small presses and imprints, Alexander does not fit any clichéd image of the generation of avant-garde poets that began publishing in the 1970s and ‘80s. The son of a World War II veteran, Alexander was influenced by the revolutionary . . .

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SUBJECT Arts & Sciences, Language & Linguistics

Poetic Terms Prose Poem

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Originally appeared in Poetry magazine.

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