The Dictionary of Silence

By Debora Greger b. 1949 Debora Greger
And in that city the houses of the dead
are left empty, if the dead are famous enough;   
by day the living pay to see if dust is all
      that befalls the lives they left behind.

      Coating even the glassed-in waistcoat in time,   
coloring the air of the room stripped bare,   
down four stories of twisted stair it falls,
      down on the dictionary no longer there.

      Empty your pockets,
empty your hearts, that empty upper room exhorts.   
Forget the scrap of paper with the missing word   
      for what’s missing—

      go home to your rented room.
Go on. Six cramped quills, one elbow chair, missing a leg,
held up all those years by Johnson’s willing it to hold   
      his bulk—now even the “soul hath elbowroom

      in that room where scribes scribbled out that quote.   
In that city the dead never want to get up,   
just as in life. What can we offer them?
      Just this dust to cover them deeper,

      kin to the soot that shadowed their days.
Kiss from a wife who no longer wanted to be touched—
love, he held, regarded with passionate affection,   
      like one sex to the other, first; or, second,

      made do with the affection of a friend; or
managed merely parental tenderness, third; or, fourth,   
no more than pleasure with, delighting in; or, fifth,   
      no less than the reverent unwillingness to offend.

      O had a long sound, as in alone. Her opium.
On clean-shirt day he would pay a visit to his wife.   
Pack meant large bundle of any thing—“on your head
      a pack of sorrows.”

      Quiet. The square just off Fleet Street
so quiet Carlyle got lost on his way there.
Remember the garret floorboards’ complaint, the muffled
      ruffling of pigeons just overhead?

      Such silence we fell into
stair by stair, the house to ourselves.
Tired of London, he claimed, and one was   
      tired of life. Were we just tired?

      Under the low ceiling as below deck,
up where no angle was true, we sank in deeper silence,   
valedictory, the way it took us in.
      Volumes of ancient air closed around us, blank,

      weighted by the latest dust.
What had we come to the house of the dead to see? Something
exotic? The zebra presented to the queen in 1726? Something
      exactly as it might have been? Did you

      yawn first, back among the living?
You pulled me from traffic rushing downstream instead of up,
that Zambezi best forded from stripe to painted stripe,   
      a “zebra crossing.” I’d looked the wrong way.

Debora Greger, “The Dictionary of Silence” from Off-Season at the Edge of the World. Copyright © 1994 by Debora Greger. Used with the permission of the author and the University of Illinois Press.

Source: Off-Season at the Edge of the World: Poems (1994)

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Poet Debora Greger b. 1949

POET’S REGION U.S., Southern

Subjects Arts & Sciences, Reading & Books

 Debora  Greger

Biography

Poet and artist Debora Greger earned her BA from the University of Washington and her MFA from the University of Iowa. She has published numerous books of poetry, including Men, Women, and Ghosts (2008), and her work has been included in issues of Best American Poetry. As a reviewer for Publishers Weekly observed, Greger “rarely rejoices, though she can surely console; her pruned-back, autumnal sensibility and her balanced lines . . .

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Poem Categorization

SUBJECT Arts & Sciences, Reading & Books

POET’S REGION U.S., Southern

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Originally appeared in Poetry magazine.

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