The Weary Blues

By Langston Hughes 1902–1967 Langston Hughes
Droning a drowsy syncopated tune,
Rocking back and forth to a mellow croon,
      I heard a Negro play.
Down on Lenox Avenue the other night
By the pale dull pallor of an old gas light
      He did a lazy sway. . . .
      He did a lazy sway. . . .
To the tune o’ those Weary Blues.
With his ebony hands on each ivory key
He made that poor piano moan with melody.
      O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
      Sweet Blues!
Coming from a black man’s soul.
      O Blues!
In a deep song voice with a melancholy tone
I heard that Negro sing, that old piano moan—
      “Ain’t got nobody in all this world,
      Ain’t got nobody but ma self.
      I’s gwine to quit ma frownin’
      And put ma troubles on the shelf.”

Thump, thump, thump, went his foot on the floor.
He played a few chords then he sang some more—
      “I got the Weary Blues
      And I can’t be satisfied.
      Got the Weary Blues
      And can’t be satisfied—
      I ain’t happy no mo’
      And I wish that I had died.”
And far into the night he crooned that tune.
The stars went out and so did the moon.
The singer stopped playing and went to bed
While the Weary Blues echoed through his head.
He slept like a rock or a man that’s dead.

Langston Hughes, “The Weary Blues” from Collected Poems. Copyright © 1994 by The Estate of Langston Hughes. Reprinted with the permission of Harold Ober Associates Incorporated.

Source: Selected Poems (1987)

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Poet Langston Hughes 1902–1967

SCHOOL / PERIOD Harlem Renaissance

Subjects Race & Ethnicity, Social Commentaries, Cities & Urban Life, Living, Music, Arts & Sciences

Poetic Terms Common Measure, Rhymed Stanza, Couplet, Mixed

 Langston  Hughes

Biography

Langston Hughes was first recognized as an important literary figure during the 1920s, a period known as the "Harlem Renaissance" because of the number of emerging black writers. Du Bose Heyward wrote in the New York Herald Tribune in 1926: "Langston Hughes, although only twenty-four years old, is already conspicuous in the group of Negro intellectuals who are dignifying Harlem with a genuine art life. . . . It is, however, as . . .

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Poem Categorization

SUBJECT Race & Ethnicity, Social Commentaries, Cities & Urban Life, Living, Music, Arts & Sciences

SCHOOL / PERIOD Harlem Renaissance

Poetic Terms Common Measure, Rhymed Stanza, Couplet, Mixed

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Originally appeared in Poetry magazine.

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