Beyond the steady rock the steady sea,
In movement more immovable than station,
Gathers and washes and is gone. It comes,
A slow obscure metonymy of motion,
Crumbling the inner barriers of the brain.
But the crossed rock braces the hills and makes
A steady quiet of the steady music,
Massive with peace.
And listen, now:
The foam receding down the sand silvers
Between the grains, thin, pure as virgin words,
Lending a sheen to Nothing, whispering.
Yvor Winters, “The Fable” from The Collected Poems of Yvor Winters. Used by permission of Ohio University Press, Athens, Ohio.
Source:
The Collected Poems of Yvor Winters (1960)
Allen Tate once commented on Yvor Winters the poet thus: "If he has been neglected—when he has not been ignored—the reasons are not hard to find. He has conducted a poetic revolution all his own that owes little or nothing to the earlier revolution of Pound and Eliot, and that goes back to certain great, likewise neglected Tudor poets for metrical and stylistic models." Winters commented to Contemporary Authors: "Tate is wrong . . .
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