On a View of Pasadena from the Hills

By Yvor Winters 1900–1968 Yvor Winters
From the high terrace porch I watch the dawn.
No light appears, though dark has mostly gone,
Sunk from the cold and monstrous stone. The hills
Lie naked but not light. The darkness spills
Down the remoter gulleys; pooled, will stay
Too low to melt, not yet alive with day.
Below the windows, the lawn, matted deep
Under its close-cropped tips with dewy sleep,
Gives off a faint hush, all its plushy swarm
Alive with coolness reaching to be warm.
Gray windows at my back, the massy frame
Dull with the blackness that has not a name;
But down below, the garden is still young,
Of five years’ growth, perhaps, and terrace-hung,
Drop by slow drop of seeping concrete walls.
Such are the bastions of our pastorals!

Here are no palms! They once lined country ways,
Where old white houses glared down dusty days,
With small round towers, blunt-headed through small trees.
Those towers are now the hiving place of bees.
The palms were coarse; their leaves hung thick with dust;
The roads were muffled deep. But now deep rust
Has fastened on the wheels that labored then.
Peace to all such, and to all sleeping men!
I lived my childhood there, a passive dream
In the expanse of that recessive scheme.

Slow air, slow fire! O deep delay of Time!
That summer crater smoked like slaking lime,
The hills so dry, so dense the underbrush,
That where I pushed my way the giant hush
Was changed to soft explosion as the sage
Broke down to powdered ash, the sift of age,
And fell along my path, a shadowy rift.

On these rocks now no burning ashes drift;
Mowed lawn has crept along the granite bench;
The yellow blossoms of acacia drench
The dawn with pollen; and, with waxen green,
The long leaves of the eucalypti screen
The closer hills from view—lithe, tall, and fine,
And nobly clad with youth, they bend and shine.
The small dark pool, jutting with living rock,
Trembles at every atmospheric shock,
Blurred to its depth with the cold living ooze.
From cloudy caves, heavy with summer dews,
The shyest and most tremulous beings stir,
The pulsing of their fins a lucent blur,
That, like illusion, glances off the view.
The pulsing mouths, like metronomes, are true,

This is my father’s house, no homestead here
That I shall live in, but a shining sphere
Of glass and glassy moments, frail surprise,
My father’s phantasy of Paradise;
Which melts upon his death, which he attained
With loss of heart for every step he gained.
Too firmly gentle to displace the great,
He crystallized this vision somewhat late;
Forbidden now to climb the garden stair,
He views the terrace from a window chair.
His friends, hard shaken by some twenty years,
Tremble with palsy and with senile fears,
In their late middle age gone cold and gray.
Fine men, now broken. That the vision stay,
They spend astutely their depleted breath,
With tired ironic faces wait for death.

Below the garden the hills fold away.
Deep in the valley, a mist fine as spray,
Ready to shatter into spinning light,
Conceals the city at the edge of night.
The city, on the tremendous valley floor,
Draws its dream deeper for an instant more,
Superb on solid loam, and breathing deep,
Poised for a moment at the edge of sleep.

Cement roads mark the hills, wide, bending free
Of cliff and headland. Dropping toward the sea,
Through suburb after suburb, vast ravines
Swell to the summer drone of fine machines.
The driver, melting down the distance here,
May cast in flight the faint hoof of a deer
Or pass the faint head set perplexedly.
And man-made stone outgrows the living tree,
And at its rising, air is shaken, men
Are shattered, and the tremor swells again,
Extending to the naked salty shore,
Rank with the sea, which crumbles evermore.

Yvor Winters, “On a View of Pasadena from the Hills” from The Selected Poems of Yvor Winters, edited by R. L. Barth. Used by permission of Ohio University Press, Athens, Ohio.

Source: Collected Poems (1960)

Discover this poem’s context and related poetry, articles, and media.

Poet Yvor Winters 1900–1968

Subjects Family & Ancestors, Nature, Relationships, Landscapes & Pastorals, Seas, Rivers, & Streams

Poetic Terms Couplet

 Yvor  Winters

Biography

Allen Tate once commented on Yvor Winters the poet thus: "If he has been neglected—when he has not been ignored—the reasons are not hard to find. He has conducted a poetic revolution all his own that owes little or nothing to the earlier revolution of Pound and Eliot, and that goes back to certain great, likewise neglected Tudor poets for metrical and stylistic models." Winters commented to Contemporary Authors: "Tate is wrong . . .

Continue reading this biography

Poem Categorization

SUBJECT Family & Ancestors, Nature, Relationships, Landscapes & Pastorals, Seas, Rivers, & Streams

Poetic Terms Couplet

Report a problem with this poem

Originally appeared in Poetry magazine.

This poem has learning resources.

This poem is good for children.

This poem has related video.

This poem has related audio.