The Conqueror Worm

By Edgar Allan Poe 1809–1849 Edgar Allan Poe
Lo! ’t is a gala night
   Within the lonesome latter years!   
An angel throng, bewinged, bedight
   In veils, and drowned in tears,   
Sit in a theatre, to see
   A play of hopes and fears,
While the orchestra breathes fitfully   
   The music of the spheres.

Mimes, in the form of God on high,   
   Mutter and mumble low,
And hither and thither fly—
   Mere puppets they, who come and go   
At bidding of vast formless things
   That shift the scenery to and fro,
Flapping from out their Condor wings
   Invisible Wo!

That motley drama—oh, be sure   
   It shall not be forgot!
With its Phantom chased for evermore   
   By a crowd that seize it not,
Through a circle that ever returneth in   
   To the self-same spot,
And much of Madness, and more of Sin,   
   And Horror the soul of the plot.

But see, amid the mimic rout,
   A crawling shape intrude!
A blood-red thing that writhes from out   
   The scenic solitude!
It writhes!—it writhes!—with mortal pangs   
The mimes become its food,
And seraphs sob at vermin fangs
   In human gore imbued.

Out—out are the lights—out all!   
   And, over each quivering form,
The curtain, a funeral pall,
   Comes down with the rush of a storm,   
While the angels, all pallid and wan,   
   Uprising, unveiling, affirm
That the play is the tragedy, “Man,”   
   And its hero, the Conqueror Worm.

Source: The Complete Poems and Stories of Edgar Allan Poe (1946)

Discover this poem’s context and related poetry, articles, and media.

Poet Edgar Allan Poe 1809–1849

POET’S REGION U.S., Mid-Atlantic

SCHOOL / PERIOD Victorian

Subjects Theater & Dance, Horror, Arts & Sciences, Mythology & Folklore

Poetic Terms Rhymed Stanza

 Edgar  Allan Poe

Biography

Poe’s stature as a major figure in world literature is primarily based on his ingenious and profound short stories, poems, and critical theories, which established a highly influential rationale for the short form in both poetry and fiction. Regarded in literary histories and handbooks as the architect of the modern short story, Poe was also the principal forerunner of the “art for art’s sake” movement in nineteenth-century . . .

Continue reading this biography

Poem Categorization

SUBJECT Theater & Dance, Horror, Arts & Sciences, Mythology & Folklore

POET’S REGION U.S., Mid-Atlantic

SCHOOL / PERIOD Victorian

Poetic Terms Rhymed Stanza

Report a problem with this poem

Originally appeared in Poetry magazine.

This poem has learning resources.

This poem is good for children.

This poem has related video.

This poem has related audio.