This that is washed with weed and pebblestone
Curved once a dolphin’s length before the prow,
And I who read the land to which we bore
In its grave eyes, question my idol now,
What cold and marvelous fancy it may keep,
Since the salt terror swept us from our course,
Or if a wisdom later than the storm,
For old green ocean’s tinctured it so deep;
And with some reason to me on this strand
The waves, the ceremonial waves have come,
And stooped their barbaric heads, and all flung out
Their glittering arms before them, and are gone,
Leaving the murderous tribute lodged in sand.
Léonie Adams, “The Figurehead” from Poems: A Selection (New York: The Noonday Press, 1959). Used by permission of Judith Farr, Literary Executrix of the Estate of Léonie Adams.
Source: Poems: A Selection (1959)
An educator, consultant, editor, and poet, Leonie Adams was best known for her lyric poetry reminiscent of both the Romantic and Metaphysical periods. Her poetry won her several awards, including the Harriet Monroe Poetry Award, the Shelley Memorial Award, and the Bollingen Prize. She served in editorial capacities for both Wilson Publishing and the Metropolitan Museum of Art in New York City during the 1920s and later taught . . .
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