The slight white poet would assume non-human forms, homely
Grampus fish, a wahoo, nuthatch, nit.
He had no romance except
Remorse, which he used like fuzzy algebra. By pouring bluing
On black porous coal, he crystallized, pronounced himself almost
A sorcerer. He had an empty cloakroom
In the chest of him.
All the lost wool scarves
Of all the world collected there & muffled him
With wool.
He imagined he could move a broom if he desired, just by wishing
It. If he spoke of ghosts, he thought he could make of art vast
Tattersall & spreading wings.
When they found him in the nurse’s office,
He was awkward as a charlatan, slightly queasy
In an emperor’s real clothes.
The thermos in his lunchbox was perpetually
Broken and he lied. The small world smelled of oil
Of peppermint, for a broken spell. Everything is plaid
And sour in oblivion, as well.
Lucie Brock-Broido, “Almost a Conjuror” from Trouble in Mind. Copyright © 2004 by Lucie Brock-Boido. Used by permission of Alfred A. Knopf, a division of Random House, Inc.
Source:
Trouble in Mind (Alfred A. Knopf, 2004)
Lucie Brock-Broido was born in Pittsburgh, was educated at Johns Hopkins and Columbia universities, and has taught at Bennington, Princeton, Harvard (where she was a Briggs-Copeland poet), and Columbia. She is the recipient of fellowships from the NEA and the Guggenheim Foundation, as well as awards from the American Poetry Review and the Academy of American Arts and Letters.
In an interview with Carol Maso for BOMB magazine in . . .
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Poems by Lucie Brock-Broido