Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.
Oh dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets out no more.
Yet come to me in dreams, that I may live
My very life again tho’ cold in death:
Come back to me in dreams, that I may give
Pulse for pulse, breath for breath:
Speak low, lean low,
As long ago, my love, how long ago.
Of all Victorian women poets, posterity has been kindest to Christina Rossetti. Her poetry has never disappeared from view, and her reputation, though it suffered a decline in the first half of the twentieth century, has always been preserved to some degree. Critical interest in Rossetti’s poetry swelled in the final decades of the twentieth century, a resurgence largely impelled by the emergence of feminist criticism; much of . . .
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Poems by Christina Rossetti