Love is a sickness full of woes,
All remedies refusing;
A plant that with most cutting grows,
Most barren with best using.
Why so?
More we enjoy it, more it dies;
If not enjoyed, it sighting cries,
Heigh ho!
Love is a torment of the mind,
A tempest everlasting;
And Jove hath made it of a kind
Not well, not full, nor fasting.
Why so?
More we enjoy it, more it dies;
If not enjoyed, it sighing cries,
Heigh ho!
Though admired as a lyric poet and historian, Samuel Daniel has found few enthusiastic readers for his dramatic works. Sober minded, restrained, reflective, and frequently prosaic, Daniel stands outside the popular-stage tradition, yet as an innovator he is of considerable importance in the history of Renaissance drama. Cleopatra is one of the earliest and best attempts to transplant French Senecan closet drama to the English . . .
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