Julia, I bring
To thee this ring,
Made for thy finger fit;
To show by this
That our love is
(Or should be) like to it.
Close though it be,
The joint is free;
So when Love’s yoke is on,
It must not gall,
Or fret at all
With hard oppression.
But it must play
Still either way,
And be, too, such a yoke
As not too wide
To overslide,
Or be so strait to choke.
So we who bear
This beam must rear
Ourselves to such a height
As that the stay
Of either may
Create the burden light.
And as this round
Is nowhere found
To flaw, or else to sever;
So let our love
As endless prove,
And pure as gold for ever.
Almost forgotten in the eighteenth century, and in the nineteenth century alternately applauded for his poetry’s lyricism and condemned for its “obscenities,” Robert Herrick is, in the latter half of the twentieth century, finally becoming recognized as one of the most accomplished nondramatic poets of his age. Long dismissed as merely a “minor poet” and, as a consequence, neglected or underestimated by scholars and critics, the . . .
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