Before Parting

By Algernon Charles Swinburne 1837–1909
A month or twain to live on honeycomb
   Is pleasant; but one tires of scented time,
   Cold sweet recurrence of accepted rhyme,
And that strong purple under juice and foam
Where the wine’s heart has burst;
Nor feel the latter kisses like the first.

Once yet, this poor one time; I will not pray
   Even to change the bitterness of it,   
   The bitter taste ensuing on the sweet,
To make your tears fall where your soft hair lay
All blurred and heavy in some perfumed wise
Over my face and eyes.

And yet who knows what end the scythèd wheat
   Makes of its foolish poppies’ mouths of red?
   These were not sown, these are not harvested,
They grow a month and are cast under feet   
And none has care thereof,
As none has care of divided love.

I know each shadow of your lips by rote,
   Each change of love in eyelids and eyebrows;
   The fashion of fair temples tremulous
With tender blood, and colour of your throat;
I know not how love is gone out of this,
Seeing that all was his.

Love’s likeness there endures upon all these:
   But out of these one shall not gather love.
   Day hath not strength nor the night shade enough
To make love whole and fill his lips with ease,
As some bee-builded cell
Feels at filled lips the heavy honey swell.

I know not how this last month leaves your hair
   Less full of purple colour and hid spice,
   And that luxurious trouble of closed eyes
Is mixed with meaner shadows and waste care;
And love, kissed out by pleasure, seems not yet
Worth patience to regret.   

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Poet Algernon Charles Swinburne 1837–1909



Subjects Love, Desire, Break-ups & Vexed Love

 Algernon Charles Swinburne


Swinburne was one of the most accomplished lyric poets of the Victorian era and was a preeminent symbol of rebellion against the conservative values of his time. The explicit and often pathological sexual themes of his most important collection of poetry, Poems and Ballads (1866), delighted some, shocked many, and became the dominant feature of Swinburne's image as both an artist and an individual. Nevertheless, critics have . . .

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SUBJECT Love, Desire, Break-ups & Vexed Love



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Originally appeared in Poetry magazine.

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