When Abraham Lincoln was shoveled into the tombs, he forgot the copperheads and the assassin ... in the dust, in the cool tombs.
And Ulysses Grant lost all thought of con men and Wall Street, cash and collateral turned ashes ... in the dust, in the cool tombs.
Pocahontas’ body, lovely as a poplar, sweet as a red haw in November or a pawpaw in May, did she wonder? does she remember? ... in the dust, in the cool tombs?
Take any streetful of people buying clothes and groceries, cheering a hero or throwing confetti and blowing tin horns ... tell me if the lovers are losers ... tell me if any get more than the lovers ... in the dust ... in the cool tombs.
Source:
Cornhuskers (1918)
"Trying to write briefly about Carl Sandburg," said a friend of the poet, "is like trying to picture the Grand Canyon in one black and white snapshot." His range of interests was enumerated by his close friend, Harry Golden, who, in his study of the poet, called Sandburg "the one American writer who distinguished himself in five fields—poetry, history, biography, fiction, and music."
Sandburg composed his poetry primarily in . . .
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