Winter Journal: Gold Rivulet Weave, Gauded

By Emily Wilson b. 1968 Emily Wilson
chains of the willow, desolate weft
birds and the slim reprieves
the socketing together of weeds before water
straight-pins of jet
incontrovertible smears of dense cloud
       against bullet-train whitenings, unleashed
the reductions to tense
the awful dozes into deep sinks
flush grows upward, secreting, soaking through
       the old damasks
fretwork of trees, their balances achieved
       then slipped off
touched-up surge of cloud across water
The river shuttles onward, reconstituting
It gains the red threads of taillights
the spare greens and the thousand paired whites
       warping over, shaping off
The ducks come forth out of something unclear
The trees drain their weights into water
The ducks are a tension I have not known of
How they pivot, disfiguring the whole field
dragging their trapezoid blear
They are careful and meet their trains behind them like brides
Now the whistles of those taken to air
The disturbance of them in this river
       and the wavering cardiographies
       up-rushed, up-stayed
This is the push of all strayed things into night
the heavying of trees against sky-fire
       stolen into a river, cloistered down
I do not want anything more than this taking
       of last light into pocketings and loose garments
       unbearable closets of the trees
       the stitched-in bones and the placketings
This feeling of everything unhanded
       suddenly let go into robes
The half-bustled willow rails forward
The still surface. The quieted surface.
The same sharp planets exacting there

Emily Wilson, “Winter Journal: Gold Rivulet Weave, Gauded” reprinted from The Keep. With permission Iowa City: University of Iowa Press, 2001.

Source: The Keep (University of Iowa Press, 2001)

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Poet Emily Wilson b. 1968

POET’S REGION U.S., Mid-Atlantic

Subjects Nature, Winter, Landscapes & Pastorals

Biography

Emily Wilson was born in Ohio and grew up in Maine; she was educated at Harvard University and the University of Iowa Writers’ Workshop. Her collections of poetry include The Keep (2001); Morpho terrestre (2006), a limited-edition book with prints by Sara Langworthy; and Micrographia (2009). Poet James Galvin noted in the Boston Review that Wilson’s poetry matches “wildness of diction with precision of sense.”
 
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Poem Categorization

SUBJECT Nature, Winter, Landscapes & Pastorals

POET’S REGION U.S., Mid-Atlantic

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Originally appeared in Poetry magazine.

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