Brian Age Seven

By Mark Doty b. 1953 Mark Doty
Grateful for their tour
of the pharmacy,
the first-grade class
has drawn these pictures,
each self-portrait taped
to the window-glass,
faces wide to the street,
round and available,
with parallel lines for hair.
 
I like this one best: Brian,
whose attenuated name
fills a quarter of the frame,
stretched beside impossible
legs descending from the ball
of his torso, two long arms
springing from that same
central sphere. He breathes here,
 
on his page. It isn’t craft
that makes this figure come alive;
Brian draws just balls and lines,
in wobbly crayon strokes.
Why do some marks
seem to thrill with life,
possess a portion
of the nervous energy
in their maker’s hand?
 
That big curve of a smile
reaches nearly to the rim
of his face; he holds
a towering ice cream,
brown spheres teetering
on their cone,
a soda fountain gift
half the length of him
—as if it were the flag
 
of his own country held high
by the unadorned black line
of his arm. Such naked support
for so much delight! Artless boy,
he’s found a system of beauty:
he shows us pleasure
and what pleasure resists.
The ice cream is delicious.
He’s frail beside his relentless standard.
 

“Brian Age Seven” from Source by Mark Doty. Copyright © 2001 by Mark Doty. Used by permission of HarperCollins Publishers.

Source: Source (HarperCollins, 2001)

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Poet Mark Doty b. 1953

Subjects Painting & Sculpture, School & Learning

Poetic Terms Ekphrasis

 Mark  Doty

Biography

Since the publication of his first volume of verse, Turtle, Swan, in 1987, Mark Doty has been recognized as one of the most accomplished poets in America. Hailed for his elegant, intelligent verse, Doty has often been compared to James Merrill, Walt Whitman and C.P. Cavafy. His syntactically complex and aesthetically profound free verse poems, odes to urban gay life, and quietly brutal elegies to his lover, Wally Roberts, have . . .

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SUBJECT Painting & Sculpture, School & Learning

Poetic Terms Ekphrasis

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Originally appeared in Poetry magazine.

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