Seven of them pinned in blood by
long, shiny tails, three of them still
alive and writhing against the wood,
their heaviness whipping the wall
as they try to break free,
rattles beating in unison,
hisses slowly dying in silence,
the other four hanging stiff
like ropes to another life,
patterns of torn skin dripping
with power and loss, the wonder
of who might have done this
turning in shock as all seven
suddenly come alive when
I get closer, pink mouths
trembling with white fangs,
lunging at me then falling back,
entangled in one another to form
twisted letters that spell a bloody
word I can’t understand.
Ray Gonzalez, “Rattlesnakes Hammered on the Wall” from Consideration of the Guitar: New and Selected Poems. Copyright © 2005 by Ray Gonzalez. Reprinted by permission of BOA Editions, Ltd.
Source:
Consideration of the Guitar: New and Selected Poems (BOA Editions Ltd., 2005)
Poet, essayist, and editor Ray Gonzalez was born and raised in El Paso, Texas. Gonzalez’s work is inextricably linked to his Mexican ancestry and American upbringing in the deserts of the Southwest, as well as to rock n’ roll music and mid-century American poets such as Robert Bly and James Wright. A long-time professor at the University of Minnesota, Gonzalez has spoken to the importance of place in his work: “I do not have to . . .
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