My bands of silk and miniver
Momently grew heavier;
The black gauze was beggarly thin;
The ermine muffled mouth and chin;
I could not suck the moonlight in.
Harlequin in lozenges
Of love and hate, I walked in these
Striped and ragged rigmaroles;
Along the pavement my footsoles
Trod warily on living coals.
Shouldering the thoughts I loathed,
In their corrupt disguises clothed,
Morality I could not tear
From my ribs, to leave them bare
Ivory in silver air.
There I walked, and there I raged;
The spiritual savage caged
Within my skeleton, raged afresh
To feel, behind a carnal mesh,
The clean bones crying in the flesh.
Extravagantly praised in her lifetime, the poet and novelist Elinor Wylie suffered a posthumous reversal in her reputation but has experienced something of a revival of interest among feminist critics since the 1980s.
Wylie was born in Somerville, New Jersey to a socially prominent family, and grew up in Rosemont, Pennsylvania, and Washington D.C. As the daughter of a lawyer who later became solicitor general of the United . . .
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