The Ballad of the Harp Weaver

By Edna St. Vincent Millay 1892–1950
“Son,” said my mother,
  When I was knee-high,

“You’ve need of clothes to cover you,
  And not a rag have I.
“There’s nothing in the house
  To make a boy breeches,
Nor shears to cut a cloth with
  Nor thread to take stitches.
“There’s nothing in the house
  But a loaf-end of rye,
And a harp with a woman’s head
  Nobody will buy,”
And she began to cry.
That was in the early fall.
  When came the late fall,

“Son,” she said, “the sight of you
Makes your mother’s blood crawl,–
“Little skinny shoulder-blades
  Sticking through your clothes!
And where you’ll get a jacket from
  God above knows.
“It’s lucky for me, lad,
  Your daddy’s in the ground,
And can’t see the way I let
  His son go around!”
  And she made a queer sound.
That was in the late fall.
  When the winter came,
I’d not a pair of breeches
  Nor a shirt to my name.
I couldn’t go to school,
  Or out of doors to play.
And all the other little boys
  Passed our way.
“Son,” said my mother,
  ”Come, climb into my lap,
And I’ll chafe your little bones
  While you take a nap.”
And, oh, but we were silly
  For half an hour or more,
Me with my long legs
  Dragging on the floor,
  To a mother-goose rhyme!
Oh, but we were happy
  For half an hour’s time!
But there was I, a great boy,
  And what would folks say
To hear my mother singing me
  To sleep all day,
  In such a daft way?
Men say the winter
  Was bad that year;
Fuel was scarce,
  And food was dear.
A wind with a wolf’s head
  Howled about our door,
And we burned up the chairs
  And sat upon the floor.
All that was left us
  Was a chair we couldn’t break,
And the harp with a woman’s head
  Nobody would take,
  For song or pity’s sake.
The night before Christmas
  I cried with the cold,
I cried myself to sleep
  Like a two-year-old.
And in the deep night
  I felt my mother rise,
And stare down upon me
  With love in her eyes.
I saw my mother sitting
  On the one good chair,
A light falling on her
  From I couldn’t tell where,
Looking nineteen,
  And not a day older,
And the harp with a woman’s head
  Leaned against her shoulder.
Her thin fingers, moving
  In the thin, tall strings,
Were weav-weav-weaving
  Wonderful things.
Many bright threads,
  From where I couldn’t see,
Were running through the harp-strings
And gold threads whistling
  Through my mother’s hand.
I saw the web grow,
  And the pattern expand.
She wove a child’s jacket,
  And when it was done
She laid it on the floor
  And wove another one.
She wove a red cloak
  So regal to see,

“She’s made it for a king’s son,”
  I said, “and not for me.”
  But I knew it was for me.
She wove a pair of breeches
  Quicker than that!
She wove a pair of boots
  And a little cocked hat.
She wove a pair of mittens,
  She wove a little blouse,
She wove all night
  In the still, cold house.
She sang as she worked,
  And the harp-strings spoke;
Her voice never faltered,
  And the thread never broke.
  And when I awoke,–
There sat my mother
  With the harp against her shoulder
Looking nineteen
  And not a day older,
A smile about her lips,
  And a light about her head,
And her hands in the harp-strings
  Frozen dead.
And piled up beside her
  And toppling to the skies,
Were the clothes of a king’s son,
  Just my size.

Source: (Flying Cloud Press, 1922)

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Poet Edna St. Vincent Millay 1892–1950

POET’S REGION U.S., New England

Subjects Living, Youth, Parenthood, Disappointment & Failure, Relationships, Family & Ancestors, Nature, Winter, Social Commentaries, Class

 Edna St. Vincent Millay


Throughout much of her career, Pulitzer Prize-winner Edna St. Vincent Millay was one of the most successful and respected poets in America. She is noted for both her dramatic works, including Aria da capo, The Lamp and the Bell, and the libretto composed for an opera, The King’s Henchman, and for such lyric verses as “Renascence” and the poems found in the collections A Few Figs From Thistles, Second April, and The Ballad of the . . .

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SUBJECT Living, Youth, Parenthood, Disappointment & Failure, Relationships, Family & Ancestors, Nature, Winter, Social Commentaries, Class

POET’S REGION U.S., New England

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Originally appeared in Poetry magazine.

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