2 Poems

By Sotère Torregian Sotere Torregian

for Gerard Malanga and Andy Warhol


                 First Day On The Job


Shepherd him milk & sugar
12 o'clock among unicorns
time of blue veils
mummified Gramercy
My impressario message eaten up
ache in my crotch
I arrive at The Friends   I am sailing by way
of the sky

bus September boat with vacant windows
thank-you I am weak
O friendly tamarack
                     I'm coming with my little chair
insignificant when you manhandle God

End of my Poem

my coat a lalop girl on a dead rock
something in the air with telephones
the twin end of the day
like an atlantic squall
I can't always voice
my lyricide





                       Last Day On The Job


Forget us: alpine flowers deer
I wasn't to last for long
Forget us beards escorted by dogs
coming out of the white portals for exercise
Send her back to California with his eyes
says the kind old Good Humor Man
Send YOU to Robespière's Thermidor
where your last day of fire a mountain
of children that come up to you & say
I don't remember meeting you Goodbye
fatal hour matrons Third Avenue
And unseen indescriminant princesses who shatter
wine bottles on the lumespento traffic lights
Catshit cloud overhead while you're king
of pencil-sharpeners!


                                                                     1964
                                               From Andy Warhol's
                                        (Intransit) Monster Issue

Sotere Torregian, "2 Poems" from “I Must Go” (She Said) “Because My Pizza’s Cold”. Copyright © 2002 by Sotere Torregian.  Reprinted by permission of Skanky Possum.

Source: “I Must Go” (She Said) “Because My Pizza’s Cold” (Skanky Possum, 2002)

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Poet Sotère Torregian

POET’S REGION U.S., Western

SCHOOL / PERIOD New York School (2nd Generation)

 Sotère  Torregian

Biography

Sotère Torregian is an American poet, born in Newark, New Jersey on June 25, 1941. He attended Rutgers University, and taught briefly at the Free University of New York and Stanford University, where he helped establish the Afro-American studies program in 1969. In the mid-1960s he was associated with the New York School of poets. At that time he proposed a kind of American “orthodox Surrealism” (following the dictates of André . . .

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Originally appeared in Poetry magazine.

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