Busted Boy

By Simon J. Ortiz b. 1941 Simon J. Ortiz
He couldn’t have been more than sixteen years old,
likely even fifteen. Skinny black teenager, loose sweater.
When I got on Bus #6 at Prince and 1st Avenue,
he got on too and took a seat across from me.
A kid I didn’t notice too much because two older guys,
street pros reeking with wine, started talking to me.
They were going to California, get their welfare checks,
then come back to Arizona in time for food stamps.

When the bus pulled into Ronstadt Transit Center,
the kid was the last to get off the bus right behind me.
I started to cross the street to wait for Bus #8
when two burly men, one in a neat leather jacket
and the other in a sweat shirt, both cool yet stern,
smoothly grabbed the kid and backed him against
a streetlight pole and quickly cuffed him to the pole.

Plastic handcuffs. Practiced manner. Efficiently done.
Along with another Indian, I watch what’s happening.
Nobody seems to notice or they don’t really want to see.
Everything is quiet and normal, nothing’s disturbed.
The other Indian and I exchange glances, nod, turn away.
Busted boy. Busted Indians. Busted lives. Busted again.

I look around for the street guys going to California.
But they’re already gone, headed for the railroad tracks.
I’m new in Tucson but I’m not a stranger to this scene.
Waiting for the bus, I don’t look around for plainclothes.
I know they’re there, in this America, waiting. There; here.
Waiting for busted boys, busted Indians, busted lives.

Simon Ortiz, “Busted Boy” from Out There Somewhere. Copyright © 2002 by Simon Ortiz. Reprinted by permission of University of Arizona Press.

Source: Out There Somewhere (University of Arizona Press, 2002)

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Poet Simon J. Ortiz b. 1941

POET’S REGION U.S., Southwestern

Subjects Social Commentaries, Race & Ethnicity, Class, Cities & Urban Life

 Simon  J. Ortiz

Biography

A leading figure in the Native American literary renaissance that emerged in the 1960s, Simon J. Ortiz has published short fiction and non-fiction prose in addition to poetry. Whatever form his writing takes, though, it is concerned with modern man’s alienation from others, from himself, and from his environment—urging as a solution our meaningful re-connection with the wisdom of ancestral spirits and with our Mother . . .

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Poem Categorization

SUBJECT Social Commentaries, Race & Ethnicity, Class, Cities & Urban Life

POET’S REGION U.S., Southwestern

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Originally appeared in Poetry magazine.

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