Body Builder

By Cathy Park Hong
I can no longer blush. Half-face towards the starchy scape.
Birds limn the spindle trees, their Listerine-hued eyes dart
as they trill mechanical dirges tabulating not again, not
again /  I can no longer blush. The flat arctic sky
boundlessly jogs to another hemisphere / She grows!
Or her pectoral grows or all her pectorals grow / A drop of body
oil the size of a water balloon splooshes down on a man as a graceless
anointing, atomizing into tears / How delicate the sounds are from
her height! Glottal roses wink out of their throats: their voices
tine/ Now I am blushing / Swamp moss draped over the arcades / Oh
she’ll topple. She’s making for the welkin / swamps massage
the plywood foundations of our houses / And speaking of / she shoots
up not like a beanstalk but a city erected quick-time / and speaking
of, I blush blood / Roiling up past 200 ft, dizzy from all that phosphagen / I
be damned where she gits all that nylon, the size of wedding tents!/ She
flexes for her audience / Naugahide. Fuel injection. A sawed-off
shotgun will do you nothing just the rat-a-tat-tat / Rabelaisian
bullhonkies hunker and tinker tents around her / Roiling,
flexing / are louts without a law to bless them / a shadow
overcast / a footstep is a swamp in which gators pop up like whack-
a-mole carnival games / what are they saying? do they marvel?/ I am
hemorrhaging flames! / she aims with her thumb.

Cathy Park Hong, “Body Builder” from Translating Mo’um. Copyright © 2002 by Cathy Park Hong. Reprinted by permission of Hanging Loose Press.

Source: Translating Mo’um (Hanging Loose Press, 2002)

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Poet Cathy Park Hong

Subjects Nature, The Body, Social Commentaries, Popular Culture

Poetic Terms Free Verse

 Cathy Park Hong

Biography

Cathy Park Hong’s first collection, Translating Mo'um, was published in 2002 by Hanging Loose Press. Her second book, Dance Dance Revolution, was chosen for the Barnard New Women Poets Prize and will be published by W.W. Norton in 2007. She is the recipient of a Fulbright Fellowship, a National Endowment for the Arts Fellowship, and a New York Foundation for the Arts Fellowship. Her writing on politics and her reviews have . . .

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SUBJECT Nature, The Body, Social Commentaries, Popular Culture

Poetic Terms Free Verse

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Originally appeared in Poetry magazine.

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