[ready to receive remains . . .]

By kari edwards 1954–2006 kari edwards
  ready to receive remains built for death, ready to receive the flatly desolate superficial deeply commissioned intellectual offer of suggestive actions, for the hunger assassin to fall back on and become forcefull psychological damage, bottled for drinkable agitation.

   riding a back seat writing construction, contesting the oncoming molten universe, immersed in villagers, city dwellers, trembling, laughing, (white teeth redone for the perfect test of time), to inhale flesh and stone from long ago, forgetting the horrors of holy oil infusion clocks and gritty body galleries, leaving behind the mourning river’s crimson fragrance smoldering from the previous unbearable fever.

   in a posture of myself on a speeding body, without hands and feet, I am ready to receive the vomit of consciousness and proceed down the avenues of suggestion to become a limited option.

kari edwards, “[ready to receive remains . . .]” from Bharat jiva. Copyright © 2009 by kari edwards. Reprinted by permission of Litmus Press.

Source: Bharat jiva (Litmus Press, 2009)

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Poet kari edwards 1954–2006

POET’S REGION U.S., Western

Subjects Living, Death, Nature, The Body

Poetic Terms Free Verse

Biography

Active as an artist and a gender activist, kari edwards is the author of post/(pink) (2000), a diary of lies (2002), a day in the life of p (2002), iduna (2003), obedience (2005), and the posthumous Bharat jiva (2009). She received a New Langton Arts Bay Area Award in literature in 2002 and the Small Press Traffic’s book of the year award in 2004.  
 
edwards resists the idea of gender roles and conventional genre divisions; a . . .

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Poem Categorization

SUBJECT Living, Death, Nature, The Body

POET’S REGION U.S., Western

Poetic Terms Free Verse

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Originally appeared in Poetry magazine.

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