Gone, gone again,
May, June, July,
And August gone,
Again gone by,
Not memorable
Save that I saw them go,
As past the empty quays
The rivers flow.
And now again,
In the harvest rain,
The Blenheim oranges
Fall grubby from the trees,
As when I was young—
And when the lost one was here—
And when the war began
To turn young men to dung.
Look at the old house,
Outmoded, dignified,
Dark and untenanted,
With grass growing instead
Of the footsteps of life,
The friendliness, the strife;
In its beds have lain
Youth, love, age, and pain:
I am something like that;
Only I am not dead,
Still breathing and interested
In the house that is not dark:—
I am something like that:
Not one pane to reflect the sun,
For the schoolboys to throw at—
They have broken every one.
Despite affinities with the Georgian movement of the early twentieth century, Edward Thomas's verse consistently defies classification. Like the work of his Georgian contemporaries, his verse displays a profound love of natural beauty and, at times, an archaic use of diction. However, Thomas's personalized voice and intensity of vision give his poetry an artistic force which the Georgians never approached.
Thomas was born of . . .
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