The Vanishing Point
sky. You choose a more circuitous route home and pass a
tree with white bags tied around random apples. The apples
remind you of clouds, how each hangs in the sky, singular
yet part of a flock. Each item in the flock is a coordinate of
earth and sky, enumerating space. The flocks of apples and
clouds are actual infinities, an endless collection of discrete
items that one can conceivably count to the end. This is
different from potential infinity, which is the entirety of
infinity, an immeasurable continuum that is greater than the
sum of its parts. After your first glimpse, you are lonely for
more contraction of space around the light of your mind
contemplating what cannot be conceived. What cannot be
conceived this morning? The Army has found the larynx of
an Iraqi man that American soldiers slowly strangled to
death. His ribs, additional evidence for the trial, are still
missing. They are in a refrigerator in Washington, D.C.
These are discrete items; whereas how the passage of time
felt as the soldiers strangled him is a continuum of infinite
pain. And his words and songs and prayers and curses he
will never speak are an empty set.
Emily Warn, “The Vanishing Point” from Shadow Architect. Copyright © 2008 by Emily Warn. Reprinted by permission of Copper Canyon Press.
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Poet Emily Warn
POET’S REGION U.S., Northwestern
Poetic Terms Prose Poem