Air here is like the water
Of an aquarium that’s been lived in for a while—clear and still
Beyond the rigors
Of glass; appearing cold (and clear) as spring streams
Fed by snow and ice,
But unexpectedly warm to feel, and inviting; side-lit—
A vitality of shadows
Once you come into it, and long bars of light
Burning like spots,
Remarkable for the absence of dust in their sharp crossfires;
Heavy, as crystal
Is heavy, as if to move here would mean pushing against a force
Palpable, and strong;
Yet rich with prospects of life, comfortable
With the idea of life,
As if, put on its slide, every drop is stocked with wonders,
Swarming, about to burst—
Beautiful in a way,
One element sustaining another, our message brought home
So that the living
Might come to see. Harder to say that without them
We are nothing—
Water without air; or to speak of our isolation,
Or our special loneliness;
Or say as they look right through us, at their plants,
Pictures, books,
Windows, reflections, and blank white walls,
That we need them,
To orient ourselves and to tell us who we are;
Or that with each look
They are swimming to within our sights; or that we are always casting
Wider and wider
And that even now they are fighting to avoid our nets.
Robert Polito, "What the Dead Know" from Doubles. Copyright © 1995 by Robert Polito. Reprinted by permission of The University of Chicago Press.
Source:
Doubles (The University of Chicago Press, 1995)
Poet and scholar Robert Polito was born in 1951 in Boston, Massachusetts. He earned his PhD from Harvard and has served since 1992 as director of Creative Writing at The New School. On January 23, it was announced that Robert Polito will become the second president of the Poetry Foundation on July 8, 2013. Polito’s collections of poetry include Hollywood & God (2009) and Doubles (1995). His poetry blends narrative and lyric . . .
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