After Peire Vidal, & Myself

By Ted Berrigan 1934–1983 Ted Berrigan

for Shelley

Oh you, the sprightliest & most puggish, the brightest star
Of all my lively loves, all Ladies, & to whom once I gave up
My heart entire, thenceforth yours to keep forever
Locked up in your own heart’s tiniest room, my best hope, or
To throw away, carelessly, at your leisure, should that prove
Your best pleasure, Who is that dumpy matron, decked out in worn &
Shabby army fatigues which pooch out both before & behind, now
Scoring me painfully in philistine Commedia dell’arte farce, low
        summer fare
Across a pedestrian Ferry’s stretch of water in some meshugganah Snug
And once more, even, fiercely pecking at me in the cold drab Parish
        Hall of
Manhattan’s Landmark Episcopal Church, where a once Avant-garde
        now Grade School
Poetry Project continues to dwell, St. Mark’s Church-in-the-Bouwerie,
Stones hold in tight grip one wooden leg & all of Peter Stuyvesant’s
Who is that midget-witch who preens & prances as she flaunts her lost
Otherwise hidden beneath some ancient boy’s flannel-shirt, its tail out
& flapping, & who
Is shrieking even now these mean words:
                                                            “Hey     Ted!”     “Hey, you Fat God!”
& called me, “Fickle!”         “Fickle!”
                                                                 & she points a long boney finger
at me, & croons, gleefully.
                                                        “Limbo!”     “That's where you really live!”
& She is claiming to be you
                                                as she whispers, viciously,
                                                                                                            “Alone, &
In Pain, In Limbo, is where you live     in your little cloud-9 home     Ted!
               She has a small purse, & removing it from one of her
        shopping bags
She brings out from inside that small purse, my withered heart; &
lifting it
high into the air over her head with her two hands, she turns it upside
unzips its fasteners, & shakes it out over the plywood floor, happily.
she cries loudly, “just like I always knew it would be!” “Empty!”
        “Empty” “Empty”
I watch her, and think,
                                     That’s not really you, up there, is it,
                Rose?     Rochelle?     Shelley?
                                                                 O, don’t be sad, little Rose! It’s still
Your ribbon I wear, your favor tied to the grip of my lance, when I
        ride out to give battle,
                                                  these golden days.

Ted Berrigan, "After Peire Vidal, & Myself" from The Collected Poems of Ted Berrigan. Copyright © 2007 by Ted Berrigan.  Reprinted by permission of University of California Press.

Source: Selected Poems (Penguin Books, 1994)

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Poet Ted Berrigan 1934–1983

SCHOOL / PERIOD New York School (2nd Generation)

Subjects Living, Time & Brevity, Love, Break-ups & Vexed Love, Relationships, Men & Women, Social Commentaries, Cities & Urban Life, Arts & Sciences, Poetry & Poets


Ted Berrigan—Edmund Joseph Michael Berrigan Jr.—was born in Providence, Rhode Island, the oldest of three children of Margaret Dugan and Edmund Berrigan, the chief engineer at Ward’s Baking Company. On both sides the family was Irish Catholic. Berrigan attended local schools and entered Providence College, a local Catholic school, but left after a year and enlisted in the army.

Berrigan was sent to Korea in 1954 but never saw . . .

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Originally appeared in Poetry magazine.

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