While the man is away
telling his wife
about the red-corseted woman,
the woman waits
on the queen-sized bed.
You'd expect her quiet
in the fist of a copper
statue. Half her face,
a shade of golden meringue,
the other half, the dark
of cattails. Her mouth even—
too straight, as if she doubted
her made decision, the way
women do. In her hands,
a yellow letter creased,
like her hunched back.
Her dress limp on a green chair.
In front, a man's satchel
and briefcase. On a dresser,
a hat with a ceylon
feather. That is all
the artist left us with,
knowing we would turn
the woman's stone into ours,
a thirst for the self
in everything—even
in the sweet chinks
of mandarin.
Source: Poetry (September 2004).
Writer and editor Victoria Chang earned a BA in Asian studies from the University of Michigan, an MA in Asian studies from Harvard University, and an MBA from Stanford University. Her collections of poetry include Circle (2005), winner of the Crab Orchard Review Award Series in Poetry, and Salvina Molesta (2008). Her poems have been published in the Kenyon Review, Poetry, the Threepenny Review, and the anthology the Best . . .
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