a face stares back.
across the hostile centuries.
add a twist — delicious.
and never feel a thing.
commercial — added stretch to every gesture.
how it is made.
I almost admire it. I almost wrote despise.
I’d be all give. Let me put it like this==
in the nocturnal, recessed bed==
of nettles.
resembles the bird it will fly into.
Right now I’m trying to open wide.
she turns to a tree.
she would be neither-nor.
smoky field.
that is space.
the bride.
the exdream — the world gone into god again?
the night.
the white between the ink.
the white navel — I notice — in the O.
their harsh done crust.
then some inbetween?
to a nuptial lace.
to ever dwell again.
to mask the screen in dumb expanse.
touch in linen walls.
Turn — her — loose —
What — does not console?
who could bear to save her.
yes, god her saurian voice into the ground.
Source: Poetry (May 2012).
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This poem originally appeared in the May 2012 issue of Poetry magazine
Poet and writer Alice Fulton was born in 1952 and raised in Troy, New York. She earned a BA at Empire State College and an MFA from Cornell University. She is the author of numerous books of poetry, including Dance Script with Electric Ballerina (1982), which won an Associated Writing Programs Award; Palladium (1986), winner of the National Poetry Series; Powers of Congress (1990; reissued 2001); Sensual Math (1995); Felt: Poems . . .
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