No More

By Vanessa Place b. 1968 Vanessa Place
No more lines on the luminescence of   light, of   whatever variation.
No more elegies of youth or age, no polyglottal ventriloquism.
No more songs of raw emotion, forever overcooked.
No more the wisdom of   banality, which should stay overlooked.
No more verbs of embroidery.
No more unintentional phallacy.
No more metaphor, no more simile. Let the thing be, concretely.
No more politics put politically: let the thing be concretely.
No more conditional set conditionally — let the thing be already.
No more children pimped out to prove some pouting mortality.
No more death without dying — immediately.
No more poet-subject speaking into the poem-mirror, watching the mouth move, fixing the thinning hair.
No more superiority of the interiority of that unnatural trinity — 
you, me, we — our teeth touch only our tongues.
No more Gobstoppers: an epic isn’t an epic for its fingerprints.
No more reversals of grammar if as emphasis.
No more nature less natural; no more impiety on bended knee.
No more jeu de mot, no more mot juste.
No more retinal poetry.

Source: Poetry (March 2013).

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This poem originally appeared in the March 2013 issue of Poetry magazine

March 2013
 Vanessa  Place

Biography

Poet and criminal defense attorney Vanessa Place earned a BA at the University of Massachusetts at Amherst, an MFA at Antioch University, and a JD at Boston University.
 
In her conceptual poetry, Place explores the impact of context and expectation. In a 2010 interview for Lemon Hound, Place has quoted Marcel Duchamp, “It’s not what you see that is art, art is the gap.” In a 2013 Tarpaulin Sky interview with Eireene Nealand, . . .

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