History of My Heart

By Robert Pinsky b. 1940 Robert Pinsky
One Christmastime Fats Waller in a fur coat
Rolled beaming from a taxicab with two pretty girls   
Each at an arm as he led them in a thick downy snowfall

Across Thirty-Fourth Street into the busy crowd
Shopping at Macy’s: perfume, holly, snowflake displays.
Chimes rang for change. In Toys, where my mother worked

Over her school vacation, the crowd swelled and stood
Filling the aisles, whispered at the fringes, listening
To the sounds of the large, gorgeously dressed man,

His smile bemused and exalted, lips boom-booming a bold
Bass line as he improvised on an expensive, tinkly
Piano the size of a lady’s jewel box or a wedding cake.

She put into my heart this scene from the romance of Joy,
Co-authored by her and the movies, like her others–
My father making the winning basket at the buzzer

And punching the enraged gambler who came onto the court–
The brilliant black and white of the movies, texture
Of wet snowy fur, the taxi’s windshield, piano keys,

Reflections that slid over the thick brass baton
That worked the elevator. Happiness needs a setting:
Shepherds and shepherdesses in the grass, kids in a store,

The back room of Carly’s parents’ shop, record-player
And paper streamers twisted in two colors: what I felt
Dancing close one afternoon with a thin blonde girl

Was my amazing good luck, the pleased erection
Stretching and stretching at the idea She likes me,
She likes it, the thought of legs under a woolen skirt,

To see eyes “melting” so I could think This is it,
They’re melting! Mutual arousal of suddenly feeling
Desired: This is it: “desire”! When we came out

Into the street we saw it had begun, the firm flakes
Sticking, coating the tops of cars, melting on the wet
Black street that reflected storelights, soft

Separate crystals clinging intact on the nap of collar
And cuff, swarms of them stalling in the wind to plunge
Sideways and cluster in spangles on our hair and lashes,

Melting to a fresh glaze on the bloodwarm porcelain
Of our faces, Hey nonny-nonny boom-boom, the cold graceful
Manna, heartfelt, falling and gathering copious

As the air itself in the small-town main street
As it fell over my mother’s imaginary and remembered
Macy’s in New York years before I was even born,

II

And the little white piano, tinkling away like crazy–
My unconceived heart in a way waiting somewhere like
Wherever it goes in sleep. Later, my eyes opened

And I woke up glad to feel the sunlight warm
High up in the window, a brighter blue striping
Blue folds of curtain, and glad to hear the house

Was still sleeping. I didn’t call, but climbed up
To balance my chest on the top rail, cheek
Pressed close where I had grooved the rail’s varnish

With sets of double tooth-lines. Clinging
With both arms, I grunted, pulled one leg over
And stretched it as my weight started to slip down

With some panic till my toes found the bottom rail,
Then let my weight slide more till I was over–
Thrilled, half-scared, still hanging high up

With both hands from the spindles. Then lower
Slipping down until I could fall to the floor
With a thud but not hurt, and out, free in the house.

Then softly down the hall to the other bedroom
To push against the door; and when it came open
More light came in, opening out like a fan

So they woke up and laughed, as she lifted me
Up in between them under the dark red blanket,
We all three laughing there because I climbed out myself.

Earlier still, she held me curled in close
With everyone around saying my name, and hovering,
After my grandpa’s cigarette burned me on the neck

As he held me up for the camera, and the pain buzzed
Scaring me because it twisted right inside me;
So when she took me and held me and I curled up, sucking,

It was as if she had put me back together again
So sweetly I was glad the hurt had torn me.
She wanted to have made the whole world up,

So that it could be hers to give. So she opened   
A letter I wrote my sister, who was having trouble
Getting on with her, and read some things about herself

That made her go to the telephone and call me up:
“You shouldn’t open other people’s letters,” I said
And she said “Yes–who taught you that?

–As if she owned the copyright on good and bad,
Or having followed pain inside she owned her children
From the inside out, or made us when she named us,

III

Made me Robert. She took me with her to a print-shop
Where the man struck a slug: a five-inch strip of lead
With the twelve letters of my name, reversed,

Raised along one edge, that for her sake he made
For me, so I could take it home with me to keep
And hold the letters up close to a mirror

Or press their shapes into clay, or inked from a pad
Onto all kinds of paper surfaces, onto walls and shirts,
Lengthwise on a Band-Aid, or even on my own skin–

The little characters fading from my arm, the gift
Always ready to be used again. Gifts from the heart:
Her giving me her breast milk or my name, Waller

Showing off in a store, for free, giving them
A thrill as someone might give someone an erection,
For the thrill of it–or you come back salty from a swim:

Eighteen shucked fresh oysters and the cold bottle
Sweating in its ribbon, surprise, happy birthday!
So what if the giver also takes, is after something?

So what if with guile she strove to color
Everything she gave with herself, the lady’s favor
A scarf or bit of sleeve of her favorite color

Fluttering on the horseman’s bloodflecked armor
Just over the heart–how presume to forgive the breast
Or sudden jazz for becoming what we want? I want

Presents I can’t picture until they come,
The generator flashlight Italo gave me one Christmas:
One squeeze and the gears visibly churning in the amber

Pistol-shaped handle hummed for half a minute
In my palm, the spare bulb in its chamber under my thumb,
Secret; or, the knife and basswood Ellen gave me to whittle.

And until the gift of desire, the heart is a titular,
Insane king who stares emptily at his counselors
For weeks, drools or babbles a little, as word spreads

In the taverns that he is dead, or an impostor. One day
A light concentrates in his eyes, he scowls, alert, and points
Without a word to one pass in the cold, grape-colored peaks–

Generals and courtiers groan, falling to work
With a frantic movement of farriers, cooks, builders,
The city thrown willing or unwilling like seed

(While the brain at the same time may be settling
Into the morning Chronicle, humming to itself,
Like a fat person eating M&M’s in the bathtub)

IV

Toward war, new forms of worship or migration.
I went out from my mother’s kitchen, across the yard
Of the little two-family house, and into the Woods:

Guns, chevrons, swordplay, a scarf of sooty smoke
Rolled upwards from a little cratewood fire
Under the low tent of a Winesap fallen

With fingers rooting in the dirt, the old orchard
Smothered among the brush of wild cherry, sumac,
Sassafras and the stifling shade of oak

In the strip of overgrown terrain running
East from the train tracks to the ocean, woods
Of demarcation, where boys went like newly-converted

Christian kings with angels on helmet and breastplate,
Bent on blood or poaching. There are a mountain and a woods
Between us–a male covenant, longbows, headlocks. A pack

Of four stayed half-aware it was past dark
In a crude hut roasting meat stolen from the A&P
Until someone’s annoyed father hailed us from the tracks

And scared us home to catch hell: We were worried,
Where have you been? In the Woods. With snakes and tramps.
An actual hobo knocked at our back door

One morning, declining food, to get hot water.
He shaved on our steps from an enamel basin with brush
And cut-throat razor, the gray hair on his chest

Armorial in the sunlight–then back to the woods,
And the otherlife of snakes, poison oak, boxcars.
Were the trees cleared first for the trains or the orchard?

Walking home by the street because it was dark,
That night, the smoke-smell in my clothes was like a bearskin.
Where the lone hunter and late bird have seen us

Pass and repass, the mountain and the woods seem
To stand darker than before–words of sexual nostalgia
In a song or poem seemed cloaked laments

For the woods when Indians made lodges from the skin
Of birch or deer. When the mysterious lighted room
Of a bus glided past in the mist, the faces

Passing me in the yellow light inside
Were a half-heard story or a song. And my heart
Moved, restless and empty as a scrap of something

Blowing in wide spirals on the wind carrying
The sound of breakers clearly to me through the pass
Between the blocks of houses. The horn of Roland

V

But what was it I was too young for? On moonless
Nights, water and sand are one shade of black,
And the creamy foam rising with moaning noises

Charges like a spectral army in a poem toward the bluffs
Before it subsides dreamily to gather again.
I thought of going down there to watch it a while,

Feeling as though it could turn me into fog,
Or that the wind would start to speak a language
And change me–as if I knocked where I saw a light

Burning in some certain misted window I passed,
A house or store or tap-room where the strangers inside
Would recognize me, locus of a new life like a woods

Or orchard that waxed and vanished into cloud
Like the moon, under a spell. Shrill flutes,
Oboes and cymbals of doom. My poor mother fell,

And after the accident loud noises and bright lights
Hurt her. And heights. She went down stairs backwards,
Sometimes with one arm on my small brother’s shoulder.

Over the years, she got better. But I was lost in music;
The cold brazen bow of the saxophone, its weight
At thumb, neck and lip, came to a bloodwarm life

Like Italo’s flashlight in the hand. In a white
Jacket and pants with a satin stripe I aspired
To the roughneck elegance of my Grandfather Dave.

Sometimes, playing in a bar or at a high school dance, I felt
My heart following after a capacious form,
Sexual and abstract, in the thunk, thrum,

Thrum, come-wallow and then a little screen
Of quicker notes goosing to a fifth higher, winging
To clang-whomp of a major seventh: listen to me

Listen to me, the heart says in reprise until sometimes
In the course of giving itself it flows out of itself
All the way across the air, in a music piercing

As the kids at the beach calling from the water Look,
Look at me, to their mothers, but out of itself, into
The listener the way feeling pretty or full of erotic revery

Makes the one who feels seem beautiful to the beholder
Witnessing the idea of the giving of desire–nothing more wanted
Than the little singing notes of wanting–the heart

Yearning further into giving itself into the air, breath
Strained into song emptying the golden bell it comes from,
The pure source poured altogether out and away.

Reprinted by permission of Farrar, Straus and Giroux, LLC: "History of My Heart" from HISTORY OF MY HEART by Robert Pinsky. Copyright © 1997 by Robert Pinsky.

Source: Poetry (February 1983).

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This poem originally appeared in the February 1983 issue of Poetry magazine

February 1983
 Robert  Pinsky

Biography

Robert Pinsky is one of America’s foremost poet-critics. Often called the last of the “civic” or public poets, Pinsky’s criticism and verse reflect his concern for a contemporary poetic diction that nonetheless speaks of a wider experience. Elected Poet Laureate of the United States in 1997, his tenure was marked by ambitious efforts to prove the power of poetry—not just as an intellectual pursuit in the ivory tower, but as a . . .

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Poem Categorization

SUBJECT Family & Ancestors, Music, Living, Relationships, Arts & Sciences, Coming of Age

POET’S REGION U.S., New England

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