Poetry Magazine

POEM
RELATED CONTENT Discover this poem's context and related poetry.

The Death of Allegory

By Billy Collins b. 1941 Billy Collins

I am wondering what became of all those tall abstractions

that used to pose, robed and statuesque, in paintings

and parade about on the pages of the Renaissance

displaying their capital letters like license plates.

Truth cantering on a powerful horse,

Chastity, eyes downcast, fluttering with veils.

Each one was marble come to life, a thought in a coat,

Courtesy bowing with one hand always extended,

Villainy sharpening an instrument behind a wall,

Reason with her crown and Constancy alert behind a helm.

They are all retired now, consigned to a Florida for tropes.

Justice is there standing by an open refrigerator.

Valor lies in bed listening to the rain.

Even Death has nothing to do but mend his cloak and hood,

and all their props are locked away in a warehouse,

hourglasses, globes, blindfolds and shackles.

Even if you called them back, there are no places left

for them to go, no Garden of Mirth or Bower of Bliss.

The Valley of Forgiveness is lined with condominiums

and chain saws are howling in the Forest of Despair.

Here on the table near the window is a vase of peonies

and next to it black binoculars and a money clip,

exactly the kind of thing we now prefer,

objects that sit quietly on a line in lower case,

themselves and nothing more, a wheelbarrow,

an empty mailbox, a razor blade resting in a glass ashtray.

As for the others, the great ideas on horseback

and the long-haired virtues in embroidered gowns,

it looks as though they have traveled down

that road you see on the final page of storybooks,

the one that winds up a green hillside and disappears

into an unseen valley where everyone must be fast asleep.

Billy Collins, “The Death of Allegory” from Questions about Angels. Copyright © 1991 by Billy Collins. All rights are controlled by the University of Pittsburgh Press. Reprinted with the permission of the University of Pittsburgh Press, www.pitt.edu/~press/.

Source: Poetry (January 1990).

Biography

Dubbed “the most popular poet in America” by Bruce Weber in the New York Times, Billy Collins is famous for conversational, witty poems that welcome readers with humor but often slip into quirky, tender or profound observation on the everyday, reading and writing, and poetry itself. John Updike praised Collins for writing “lovely poems...Limpid, gently and consistently startling, more serious than they seem, they describe all . . .

Continue reading this biography