Don't look at me
for answers. Who am I but
a sobriquet,
a teeth-grinder,
grinder of color,
and vanishing point?
There was a time
of middle distance, unforgettable,
a sort of lace-cut
flame-green filament
to ravish my
skin-tight eyes.
I take that back—
it was forgettable but not
entirely if you
consider my
heavenly bodies . . .
I loved them so.
Heaven's motes sift
to salt-white—paint is ground
to silence; and I,
I am bound, unquiet,
a shade of blue
in the studio.
If it isn't too late
let me waste one day away
from my history.
Let me see without
looking inside
at broken glass.
Source: Poetry (April 2002).
Artist and writer Dorothea Tanning grew up in Galesburg, Illinois, and spent almost 30 years living in Paris, before moving to New York City. Tanning started writing poetry in her late ’80s, and her work was subsequently published in the Yale Review, the New Yorker, Poetry, and the New Republic. Her first collection of poems, A Table of Content, was published in 2004.
The epigraph to A Table of Content comments that “it’s hard . . .
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Poems by Dorothea Tanning