Doors opened and shut,
the director shouted orders
through a bullhorn,
or babbled just
out of the frame.
A carpenter hammered flats nearby
for the next production.
All of this, and more,
while the actors blocked it out,
already living
in that small square of light
where silence reigned
like a tiny theatre for the deaf.
Now, almost a century later,
it's peaceful, far
from the center of action,
the last voice on the street
reduced to a whisper,
then gone.
Not even birdsong
as evening's opening credits
begin to roll.
Only the film,
shimmering out of a disc
thinner than sound,
characters moving
like fish in their gray element—
less than fish—
not a hiss, not a bubble,
not even a cry
from that dim world of silence
doubled by time.
Source: Poetry (June 2002).
Poet and editor Kurt Brown was born in Brooklyn, New York, and grew up on Long Island and in Connecticut. He is the author of the poetry collections Return of the Prodigals (1999), More Things in Heaven and Earth (2002), Fables from the Ark (2004), Future Ship (2007), No Other Paradise (2010), and Time-Bound (2012). With his wife, the poet Laure-Anne Bosselaar, Brown translated The Plural of Happiness: Selected Poems of Herman . . .
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