Further inquiries into race, poetry, and community via Rankine and Hoagland

In the wake of Claudia Rankine's response to Tony Hoagland's poem "The Change" at this year's AWP, the social networks and parlor rooms of poetry have been aflutter. Rankine has posted an "open letter" on her site with hopes of furthering the conversation with a call for community discussion:

If you have time in the next month please consider sharing some thoughts on writing about race (1-5 pages).

Here are a few possible jumping off points:

- If you write about race frequently what issues, difficulties, advantages, and disadvantages do you negotiate?

- How do we invent the language of racial identity--that is, not necessarily constructing the "scene of instruction" about race, but create the linguistic material of racial speech/thought?

- If you have never written consciously about race why have you never felt compelled to do so?

- If you don’t consider yourself in any majority how does this contribute to how race enters your work?

- If fear is a component of your reluctance to approach this subject could you examine that in a short essay that would be made public?

- If you don’t intend to write about race but consider yourself a reader of work dealing with race what are your expectations for a poem where race matters?

- Do you believe race can be decontextualized, or in other words, can ideas of race be constructed separate from their history?

- Is there a poem you think is particularly successful at inventing the language of racial identity or at dramatizing the site of race as such? Tell us why.

In short, write what you want.  But in the interest of constructing a discussion pertinent to the more important issue of the creative imagination and race, please do not reference Tony or me in your writings.  We both served as the catalyst for this discussion but the real work as a community interested in this issue begins with our individual assessments.