Thanks, Barbara Jane Reyes, for this excellent selection of female Filipino writers! You should check out the work by all ten writers selected. But to get the ball rolling, here's Reyes's introduction:

Before I ever had a name for it, I was already engaged in the work of centering Pinay narratives and voices. For the past two decades, I have thought of my poetry as doing just that; I am a Pinay poet and my speakers and/or personae are Pinays thinking about their own lives, telling their own stories. I always thought it was that simple.

But I am frequently asked whether writing about Pinay-ness has limited me.

Being Pinay is a fact of who I am. I was birthed by a Pinay, and raised by Pinays. Pinays have given me my value system. My Pinay-ness is the filter through which the world views and handles me, cross references me against what they (think they) know about people in the world who look like me.

Third world baby making machines. Blue passport seekers. American soldier lovers. Pleasers of white men. Nurses. Maids. Nannies. Prostitutes. Mail Order Brides. “Comfort Women.” Victims of atrocity. Bodies in commerce.

Ignoring this fact, making believe it isn’t so won’t stop it from being so.

Ignoring this fact, making believe it isn’t so would limit me.

I write about what is most important to me, what is most pressing to me, and in writing the specifics of these, have found that what most resonates with readers is the struggle for personhood, the insistence upon humanity of my speakers and personae, above and beyond ethnicity.

I write, “before I had a name for it,” because as I have been engaged in my decades-long Pinay-centric poetic projects, Professor Allyson Tintiangco-Cubales has been working too, at giving name, substance, and depth, at creating a discipline that is the necessarily Pinay-centric work of carving out and centering Pinay spaces for dialogue, cultural production, and community work. This is Pinayism.

In these spaces, such as this one here, in our work as writers, artists, educators, mentors, leaders and members of community, we have the opportunity to tease out the layers and contradictions of history, identity, and experience, to interrogate the filters through which the world views us, and in doing so, create and proliferate our own narratives.

Make the jump to read more.

Originally Published: December 11th, 2012