ArticleT.S. Eliot: “The Love Song of J. Alfred Prufrock”By Peter O’LearyOne of the most famous poems in English, one of the first encounters readers have with modern poetry—and may have even invented modern poetry.
ArticleRobert Frost: “Nothing Gold Can Stay”By Tyler MaloneFor a poem about the brevity of every state of being, the single octave perfectly enacts its themes through its form.
ArticleFederico García Lorca: “Dreamwalking Ballad”By Sarah ArvioMetaphor in Lorca is a form of gorgeous shorthand.
Articlepoetry-magazineIt’s Not a Mask If You Wear It RightBy Michael FrazierOn writing persona poetry.
ArticleJohn Tickhill: “A Bird in Bishopswood”By Eric WeiskottA melancholy medieval rent collector’s sorrows, scribbled on the back of a legal document
ArticleMetamorphoses: “Erysichthon” by Ovid and “Erysichthon’s Seed” by Shanta LeeBy Shanta LeeRace, Class, Gender, and the Imperial Body
ArticleDouglas Kearney: SelectionsBy Noah Baldino, Natalie Earnhart & The EditorsPoems by an interdisciplinary writer and performer