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Leslie Scalapino

Poet Details

1947–2010
Tom White

An experimental writer associated with the West Coast Language poets, Leslie Scalapino attended Reed College and received an MA in English from the University of California at Berkeley. Scalapino’s writing often blurs the distinctions between poetry, prose, and even the visual arts—her book Crowd and not evening or light (1992) includes photographs with handwritten notes. Her collections include Considering how exaggerated music is (1982), that they were at the beach-aeolotropic series (1985), and the trilogy The Return of Painting, The Pearl, and Orion (1991).

Scalapino’s poems are attentive to changes of language, setting, and identity, rather than maintaining a strict adherence to narrative or lyric form; their “chronology” has been compared to Gertrude Stein’s idea of the “continuous present.” Eileen Myles considered Crowd and not evening or light to be “panoramic. The constant shuttling from context to context, her refusal to build tension beyond a certain point. Instead, the weave of her writing keeps flattening out and zipping along, always getting wider and wider.”

Scalapino’s work also engages ongoing political and social concerns. She received a commission from the publisher Atelos to write R-hu (2000), a piece composed while traveling through the Gobi desert. Of R-hu, Scalapino told Publisher’s Weekly:“I simply put into writing whatever I was thinking as well as seeing—sometimes responding to events at home and issues of writing.”

Leslie Scalapino was the editor and founder of O Books. She died in 2010.

 

Leslie Scalapino

Poet Details

1947–2010
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    An experimental writer associated with the West Coast Language poets, Leslie Scalapino attended Reed College and received an MA in English from the University of California at Berkeley. Scalapino’s writing often blurs the distinctions between poetry, prose, and even the visual arts—her book Crowd and not evening or light (1992) includes photographs with handwritten notes. Her collections include Considering how exaggerated music is (1982), that they were at the beach-aeolotropic series (1985), and the trilogy The Return of Painting, The Pearl, and Orion (1991).
    Scalapino’s poems are attentive to changes of language, setting, and identity, rather than maintaining a strict adherence to narrative or lyric form; their “chronology” has been compared to Gertrude Stein’s idea of the “continuous present.” Eileen Myles considered Crowd and not evening or light to be “panoramic. The constant shuttling from context to context, her refusal to build tension beyond a certain point. Instead, the weave of...

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