Harvey draws from a wide variety of sources for her poems: music, scraps of conversation, images, and paintings; she identifies herself as “a general gatherer.” A reviewer on Bookslut.com commented that Harvey is equally a “conductor as she is a poet: much of her work reads as if she’s created a dazzling system and is then pushing language through the structure she’s created.”
David Orr described her poems as containing “disconnected phrases . . . abrupt syntactical shifts . . . quirky diction . . . and a tone ranging from daffy to plangent—basically two scoops of John Ashbery and a sprinkling of Gertrude Stein.” In his review of Modern Life, Orr described her ability to catch the dread of the political climate post–September 11: “Harvey’s poetry becomes a glass through which we can perceive, darkly, an even greater darkness.”
Harvey has taught at Sarah Lawrence College, Warren Wilson, the Pratt Institute, the University of Houston, and the Iowa Writers’ Workshop. She has been contributing editor to jubilat and BOMB. She lives in Brooklyn.
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Matthea Harvey was born in Germany, spent her childhood in England, and moved to Milwaukee with her family when she was eight years old. She attended Harvard as an undergraduate and the MFA program in creative writing at the University of Iowa. Her collections of poems include Pity the Bathtub Its Forced Embrace of the Human Form (2000), Sad Little Breathing Machine (2004), Modern Life (2007), Of Lamb (2011), and If the Tabloids Are True What Are You? (2014). She has also published two children’s books: The Little General and the Giant Snowflake (2009, illustrated by Elizabeth Zechel) and Cecil the Pet Glacier (2012, illustrated by Giselle Potter).
Harvey draws from a wide variety of sources for her poems: music, scraps of conversation, images, and paintings; she identifies herself as “a general gatherer.” A reviewer on Bookslut.com commented that Harvey is equally a “conductor as she is a poet: much of her work reads as...