Some thought it was because of all the babies I suddenly seemed to be having. Others, that I should pay for the damages. Fact is, I wasn’t getting any older, so I bought a small aquarium, and skipped town. Took up with a toy store owner until he left me for a more beautiful robot. Took up with a reader of instructional booklets. Never mind. I was lost. By the time I arrived at Mrs. Greenaway’s, it was clear I was nowhere at all. In exchange for room and board, I’d rearrange her furniture, her birthmarks, her quiet animals, until they took on more satisfying shapes. Sometimes the shapes were simple, like a mustache or a pipe. Sometimes they were more complicated arrangements, like the one of dead Mr. Greenaway’s closed barbershop. Over the years, as Mrs. Greenaway and I became more and more vague, the shapes did too. For identification purposes, we’d give them names like She Wasn’t Fooling Anyone, She Was Hurt and She Was Hurt Bad or The Insides of Doctors. One night when I was working on a piece I thought I’d call Symphony, Symphony, the shapes began to slip out of my hands. At first, as Mrs. Greenaway remembers, the sound of broken glass. Then the trumpets. Then the terrible music of all those babies I once seemed to be suddenly having, marching, like soldiers, in rows. Then their round wet bellies coming towards me. Mrs. Greenaway still talks about how expertly they gathered me into their tiny arms. And how they took me away not like a prisoner. But like a mother. Into a past I still swear I never had.