Martín Espada Edits Our Collective 'Empathy and Outrage in the Age of Trump'

The Best American Poetry blog features a recommendation by Dante Di Stefano urging readers to check out a new anthology, edited by Martín Espada, called What Saves Us: Poems of Empathy and Outrage in the Age of Trump (Curbstone Books, 2019). In Di Stefano's words, "the poems in these pages are not mere screeds, they are not solely jeremiads, they are more than the timebound marginalia of a miasmatic political era; surely, these are poems of witness." More: 

...Espada’s long apprenticeship to Whitman, and to witnessing, ensures a critical rigor in the selection of poems included in the new anthology’s pages. Each poem in What Saves Us is what Julia Alvarez—another contributor—calls “an abacus of conscience” in her poem “Refugee Women.”

The range of poets and poems in What Saves Us astounds even as it fortifies; reading this collection from cover to cover, one walks away feeling more empathetic than outraged. At the heart of this anthology, the magnanimous golden splinter of a hard earned duende directs the reader’s gaze toward a hopeful future. This unexpected hopefulness arises perhaps because even the poems that predate the Trump regime in this volume—Elizabeth Alexander’s “Smile,” Donald Hall’s “A Prophecy of Amos,” Marilyn Nelson’s “Honor Guard,” Robert Pinsky’s “Serpent Knowledge,” and Daisy Zamora’s “Death Abroad,” to name a notable few—“assert,” as Espada puts it in his preface, “our common humanity in the face of dehumanization.” torrin a. greathouse’s “On Confinement” exemplifies the assertion of a common humanity in the face of state-sanctioned brutality as it explores the subjectivity of a trans woman forced to do time in a men’s jail, “where to fail at death / would be a breach // of my probation.” Kamilah Aisha Moon’s poem, “Fannie Lou Hamer,” similarly stands out as it details a university professor’s interactions with a privileged conservative student; this student “doesn’t know who / Fannie Lou Hamer is / and never has to.” Moon reframes the political, social, economic, and racial divides in contemporary America within the context of national and personal histories, as when the speaker of the poem moves from discussing her parents to wondering about her ancestors...

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