Think of the woman who first touched fire
to a hollow stone filled with seal oil,
how she fiddled with fuel and flame
until blue shadows before and after her
filled her house, crowded
the underground, then
fled like sky-captains
chasing the aurora’s whale tale
green beyond the earth’s curve.
Her tenth summer, the elders let her
raise her issum, seal pup orphaned
when hunters brought in her mother,
their grins of plenty
broad, red. The women
slit the hard belly.
Plopped among the ruby innards
steaming on rough-cut planks
blinked a new sea-child
whose first sound
came out a question
in the old language, a question
that in one throaty bark
asked who, meaning What family
is this? What comfort
do you provide for guests?
Do you let strangers remain
strangers? The women rinsed the slick pup
in cool water, crafted a pouch
for her to suck. Then the young girl
whose hands held light
even when the room did not
brought this new being
beside her bed, let it scatter
babiche and split birch
gathered for snowshoes, let it
nose the caribou neck hairs
bearding her dance fans. They
held up the fans to their foreheads,
playing white hair, playing old.
In the time when women do not sew
the seal danced at her first potlatch.
And when the lamps burned down,
no one could see
any difference between waves
in rock, waves in sea.
The pup lifted her nose, licked
salt from seven stars, and slipped
light back among silvers and chum
light among the ghostly belugas
swimming far north to offer themselves.