Corina Copp is a writer and theater artist based in New York. She is the author of The Green Ray (Ugly Duckling Presse, 2015); and chapbooks All Stock Must Go (Shit Valley Verlag, 2014); Miracle Mare (Trafficker Press, 2013); and Pro Magenta/Be Met (Ugly Duckling Presse, 2011).
Her poetry, performance texts, and critical writing can be found in Cabinet, BOMB, Corrected Slogans: Reading and Writing Conceptualism (Triple Canopy, 2013); The Sonnets: Translating & Rewriting Shakespeare (Telephone Books, 2012); The Daily Pen American, SFMOMA’s Open Space, The Claudius App, Boston Review, Fence, and Cambridge Literary Review, among other publications. She is developing a three-part play based on the works of Marguerite Duras titled The Whole Tragedy of the Inability to Love.
Copp is a former Lower Manhattan Cultural Council Workspace writer-in-residence and curator at The Segue Foundation; and is a 2014 New York Foundation for the Arts Fellow in Poetry. Since 2010 Copp has been a staff writer for Harriet, and in April 2012 she was a featured writer on the blog.