Eleanor Wilner was born in 1937 in Ohio. She earned a BA from Goucher College and a PhD from Johns Hopkins University, where she completed her dissertation on the imagination, a work later published as Gathering the Winds: Visionary Imagination and Radical Transformation of Self and Society (1975).  Active in civil rights and peace movements, Wilner is known for writing poetry that engages politics, culture, history, and myth. In a profile for Poetry, Rachel Aviv noted that Wilner’s “poetry reworks historical moments and traumas, while often acknowledging her own distaste for the personal.” Wilner typically avoids confessional poetry that focuses on the self, preferring instead to work from what she has described as "cultural memory." In an interview with Rebecca Seiferle for Drunken Boat, Wilner said she first encountered the concept of cultural memory from Russian poet Osip Mandelstam who was reported to have said, "I have no personal memory, only a cultural memory." Wilner told Seiferle: "I remember reading this with an enormous sense of relief, as this was precisely my own experience. So much of the past cried out for utterance, especially all that had been silent, or silenced." Wilner went on to explain the foundation of her poems, harkening back to her work in Gathering the Winds: "In order to validate my experience of poetic vision, I studied comparative mythology and anthropology, looking at new visions to understand their source, and saw the ways in which collective vision always began with a communal crisis and an individual who, in essence, dreamed for the community. This is what I think a poet does, and I think our culture has made us shallow and dreamless by inculcating the myth that the individual is defined and set apart by his or her own personal experience."

Wilner’s collections of poetry include maya (1979), Shekhinah (1984), Sarah’s Choice (1989), Otherwise (1993), Reversing the Spell: New and Selected Poems (1998), The Girl with Bees in Her Hair (2004), and Tourist in Hell (2010). While Wilner’s work typically embraces a wide range of concerns, from Greek myth and the art of Van Gogh to bats, Tourist in Hell focuses on war and atrocity, exploring the brutal and brutalized history of 20th and 21st centuries. Writing in Poetry, Christian Wiman commented, "Thought occurs in her poems, and her poems have definite subjects, not infrequently the sort of big-game themes that wreck lesser writers: war, environmental degradation, justice, sexism." Wiman continued, "it is a relief to come across work in which a moral intelligence is matched by aesthetic refinement, in which the craft of the poems is equal to their concerns."

Eleanor Wilner has received numerous awards and honors for her work, including the Juniper Prize, two Pushcart Prizes, and fellowships from the National Endowment for the Arts and the MacArthur Foundation. An active teacher of poetry, Wilner has taught at institutions like the University of Chicago, Northwestern University, and Smith College. She is a faculty member of the Warren Wilson MFA Program, and lives in Philadelphia. In an essay for the Poetry Society of America, Wilner discussed “North American culture” and its poetry: “Perhaps more than any other aspect of North American culture, poetry eludes attempts at categorization and generalization,” she stated. "We are a chorus without a leader, and we pick up our themes and images from every side, and from bristling at and listening to one another. It is this eclectic imaginative miscegenation that makes our poetry so unclassifiable, so inexhaustible, and, happily, so entirely unpredictable."


  • maya, University of Massachusetts Press (Amherst, MA), 1979.
  • Shekhinah, University of Chicago Press (Chicago, IL), 1984.
  • Sarah's Choice, University of Chicago Press, 1989.
  • Otherwise, University of Chicago Press (Chicago, IL), 1993.
  • Reversing the Spell: New and Selected Poems, Copper Canyon Press (Port Townsend, WA), 1998.
  • Precessional (limited edition), lithographs by Enid Mark, ELM Press (Wallingford, PA), 1998.
  • The Girl with Bees in Her Hair, Copper Canyon Press (Port Townsend, WA), 2004).
  • Tourist in Hell, University of Chicago Press (Chicago, IL), 2010.


  • Gathering the Winds: Visionary Imagination and Radical Transformation of Self and Society, Johns Hopkins University Press (Baltimore, MD), 1975.
  • (Translator of Medea, with Inés Azar) Euripides 1: Medea, Hecuba, Andromache, The Bacchae, Edited by David Slavitt and Palmer Bovie, University of Pennsylvania Press (Philadelphia, PA), 1997.

Writer of the libretto for the oratorio Orpheus on Sappho's Shore, music by Luna Pearl Woolf. Translator of Medea, Euripides I, University of Pennsylvania Press (Philadelphia, PA), 1998. Contributor to anthologies, including Best Poems of 1976: Borestone Mountain Poetry Awards, Pacific Books, 1977;The Best American Poetry, 1990 Scribners and Macmillan/Collier (New York, NY), 1990; and The Norton Anthology of Poetry, 4th edition, W. W. Norton (New York, NY), 1996. Also contributor of poems, criticism, and reviews to literary journals.

Further Readings


  • American Poetry Review, November-December, 1985, Mary Kinzie, review of Shekhinah; March-April, 1991, Sam Hamill, review of Sarah's Choice.
  • Beloit Poetry Journal, winter, 1995-96, Marion K. Stocking, review of Otherwise; summer, 1999, Marion K. Stocking, review of Reversing the Spell: New and Selected Poems.
  • Calyx, winter, 1994-95, Rebecca Seiferle, review of Otherwise, p. 102; Volume 18, number 1, 1998, Theresa Brown, review of Reversing the Spell: New and Selected Poems.
  • Chicago Literary Review, March 15, 1985, Chet Wiener, review of Shekhinah.
  • Cimarron Review, January, 1995, review of Otherwise.
  • Hollins Critic, October, 1985, Julia Randall, review of Shekhinah.
  • Kenyon Review, winter, 1995, Sue Russell, review of Otherwise, p. 150.
  • Leggere Donna, March-April, 1991, Eleonora Chiavetta, "La Scelta Di Sara."
  • Library Journal, September 1, 1993, review of Otherwise, p. 188; December, 1997, Graham Christian, review of Reversing the Spell: New and Selected Poems, p. 111.
  • New York Times Book Review, February 6, 1994, Carol Muske, review of Otherwise, p. 32.
  • Philadelphia City Paper, April 8-15, 1994, Craig Eisendrath, review of Otherwise.
  • Philadelphia Inquirer, March 24, 1985, David Slavitt, review of Shekhinah.
  • P.N. Review (Manchester, England), March-April, 1993, "Sujata Bhatt in Conversation with Eleanor Wilner," p. 34.
  • Poetry, July, 1990, Gail Mazur, review of Sarah's Choice; August, 1994, Bruce Murphy, review of Otherwise; August, 1998, Christian Wiman, review of Reversing the Spell: New and Selected Poems, p. 284.
  • Poetry East, spring, 1996, review of Otherwise.
  • Prairie Schooner, summer, 1995, Terri Brown-Davidson, review of Otherwise, p. 165.
  • Publishers Weekly, August 9, 1993, review of Otherwise, p. 471.
  • Seven Arts, October, 1994, David Slavitt, review of Otherwise.
  • Women's Review of Books, March, 1985, Maeera Schreiber, review of Shekhinah; September, 1994, Gardner McFall, review of Otherwise, p. 29; September, 1998, review of Reversing the Spell: New and Selected Poems, p. 20.


  • The Drunken Boat, http://www.thedrunkenboat.com/ (May 21, 2002), Rebecca Seiferle, "An E-view with Eleanor Wilner," and review of Reversing the Spell: New and Selected Poems.
  • Poetry Society of America Web site, http://poetrysociety.org/wilner.html (May 21, 2002), Eleanor Wilner, "What Is American about American Poetry?"